D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
9 }1 }, ~& R5 v  }  aof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
9 u1 @9 {  o6 a- h( V4 e, m7 C$ Kmegapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
7 W. h' T4 x- |  ]1 c2 ]matrix metering III, wide dynamic range and the improved AF performance
in low light are just a few features that are glaring improvements. The D800
9 j0 p1 C* c/ j; Y; b, |/ jallows me to concentrate on the light, the composition and my subject
* r5 d2 `: s) h( \$ Bwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
4 W- U( F2 z- c+ N/ i+ V+ lconvenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
. C5 u7 x0 }( Y0 _( Pthanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
/ i1 _# c6 A  A" M36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
well as fabric and hair detail are superior to anything that has come before.
" c* h4 h  H& j4 D) A  z8 \Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
( _* t% B( D1 t) k3 yhas noticeable improvements in metering accuracy, while the larger LCD is
easier to read. The camera body feels solid and ergonomically simple, while
% B/ F5 `1 f4 T2 b2 |also feeling lighter and smaller than previous high-resolution Nikons. New
cameras always inspire me to test and explore, and all the useful features
in such a compact package will open huge creative possibilities for my highquality
prints and video.
* t$ i; D8 d1 u! L3 tTo me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
* w" K. i0 w, P5 N  ~are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
like never before. Subtle camera movements showed and differences of
* P' A  U# B( D; V5 |, Eacuity between aperture choices on various lenses were apparent. But now I
5 X) _" G9 T& y' d7 P; \am enthralled with this technology. Why? Because the images almost feel as
, `7 z) S( u: e5 `# ~, nthough they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
tremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
is that now I will think differently about the images I make.
As a modern architectural photographer I am always looking for a lightweight,
3 T7 S, K/ c; F9 `" @8 e' E. Rcompact and reliable camera system fulfilling the requirements of my personal
artistic and client expectations. The Nikon D800 will set new standards for
the high-end 35mm D-SLR market. I have never worked with a 35mm digital
' F" L5 V0 |0 j8 S  k4 X4 N6 d* Ycamera that produces images with such exceptional quality and detail till
- k9 {9 o$ Z! _) x) a3 O3 anow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
  }& F3 h; R* l, e" D, Marchitectural photography. From my hands-on experience I found that they
perfectly match with the newly invented system and produce breathtakingly
" A: t+ u: m% U* R+ Tclean, clear and sharp files. This camera gives me the photographic flexibility
to work at unusual shooting locations and capture images in an exceptional
2 \# `# A/ `0 u9 {9 Wrange of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
Fashion (U.S.A.)
Cliff Mautner
$ n+ B' S. o( e% J7 x+ CWedding (U.S.A.)
Jim Brandenburg
" w. X: ]4 |  A8 }) z& p4 g8 S0 n3 f& BNature (U.S.A.)
Benjamin Antony Monn
% m, H0 y  q0 u# jFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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