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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White, Z$ S0 v& v* l
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
" c; r+ ]+ W5 ?7 `4 ]9 XUse the shadow and highlights tool in a RAW software program to) v2 b) n8 t/ p) X+ X. \7 L
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
- U) h( |2 t4 F! f1 Vmethods provided by RAW and you'll have a correctly exposed black
( s& I1 V$ d( A3 W* c- Oand white image.* A) y' I; S0 g! [, T3 w
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White Balance
! e* M* p6 D) Y$ Y) j) ~If in need of a quick white balance tool, you can use a standard
* |& j7 I) h: N: ~* jwhite coffee filter. Use the custom camera white balance while aiming1 J* U3 Z1 q! O
the coffee filter and lens to the opposite of the light source to get white
; k2 F5 U5 ?+ c3 Q: {, h" fbalance. I always keep coffee filters in my camera bag for
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& Y; ^5 T) b0 H% LPseudo ISO Boost
7 E$ N2 M* i- i9 JIf you’re shooting in the dark at a concert venue and need more4 j. ]) L. m( D' M3 H8 Z9 T- m
ISO boost from your camera and faster shutter speeds - choose . `. z$ X2 B, p4 B6 ]& [- u9 y
the highest ISO setting on your camera and underexpose your image! {- K T+ I9 h0 D; l0 e0 k0 y" ~
by one stop. Then you can use a RAW processor to overexpose the! l' C1 I0 n4 K6 K$ \4 F. |) g
image by one or two stops. Image noise may be higher but this/ n5 M0 N: S5 g6 O" {0 X
works very well for concert, venue and event shooting. |
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