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This was in a Vistek ad…some cool tips you may want to use.8 @) C1 ?+ u! V. p: O8 w
# `7 i% Y* K, q. t2 J/ _1 QDigital Black and White$ U, T2 G( e: G: P& C" G
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.) n& s1 ]5 c' C0 y4 p) l
Use the shadow and highlights tool in a RAW software program to
" {& v6 ]; `0 X% u6 W/ urestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
6 Q. O' e8 P% B' W9 g9 x- w4 K7 @! P9 smethods provided by RAW and you'll have a correctly exposed black3 p- C; R) F3 O( D; l2 Y6 B* M: q
and white image.
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- h- A7 f) _$ O Y2 lWhite Balance# B3 H; I& m. g% s8 M
If in need of a quick white balance tool, you can use a standard. Q& u" `8 Z* h6 |
white coffee filter. Use the custom camera white balance while aiming% M" `6 L" J; n" V1 U
the coffee filter and lens to the opposite of the light source to get white" f: |9 |4 g# y: A
balance. I always keep coffee filters in my camera bag for/ b/ T' E) N* ~# S$ i2 N
such occasions.
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Pseudo ISO Boost' R# ?. r M2 B# g. U! v& {; ?
If you’re shooting in the dark at a concert venue and need more
5 N0 i# Q% Z( [ISO boost from your camera and faster shutter speeds - choose
6 G( m7 G* Q7 s$ s: y, Zthe highest ISO setting on your camera and underexpose your image# P. y* A) N3 t) G; M
by one stop. Then you can use a RAW processor to overexpose the
. \' u. O$ ^- I+ [9 ~image by one or two stops. Image noise may be higher but this
5 p6 k4 v X6 u; B' {works very well for concert, venue and event shooting. |
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