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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
6 x5 ?2 X# U! ^( I, yShoot in RAW and underexpose your image by 1/2 stop to a full stop.
: u+ v, P! X9 q. K& kUse the shadow and highlights tool in a RAW software program to
) h5 A1 O- U1 irestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
! b5 J/ |; d2 pmethods provided by RAW and you'll have a correctly exposed black
% B9 z/ q) @0 G* }and white image.
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; I) {" `, U; r2 rWhite Balance2 v* Z! q# M: a' s7 I0 a
If in need of a quick white balance tool, you can use a standard8 J+ `3 @, x0 G
white coffee filter. Use the custom camera white balance while aiming- p; H* N" N: l0 |" R
the coffee filter and lens to the opposite of the light source to get white* d8 n4 ~; ]/ r# [8 e, X: `, v3 Q5 Y
balance. I always keep coffee filters in my camera bag for
- W/ Q' n& A- S, lsuch occasions.& N- B8 z% z% M. m2 r, Y
: d. g; c- F1 Y9 z" O3 VPseudo ISO Boost
; A* L, H8 h1 |7 c$ j$ H7 GIf you’re shooting in the dark at a concert venue and need more
: }! a7 G4 z- Z+ X: eISO boost from your camera and faster shutter speeds - choose ) F$ Z* c- X$ w: l+ [; E; |
the highest ISO setting on your camera and underexpose your image
" }) s H) N7 p0 i; B3 ]by one stop. Then you can use a RAW processor to overexpose the4 g- X% D s/ U
image by one or two stops. Image noise may be higher but this
M+ l8 Y9 p% ^; }% w m; lworks very well for concert, venue and event shooting. |
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