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This was in a Vistek ad…some cool tips you may want to use.
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3 k( Z2 C6 G! N! D MDigital Black and White
' O, w9 @, K3 ~% r( p9 ?Shoot in RAW and underexpose your image by 1/2 stop to a full stop.1 i2 ~5 D. z+ S+ t: ^
Use the shadow and highlights tool in a RAW software program to
; o7 l1 j+ B/ X" e, ]( prestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White) `# Z% x' i$ T$ T
methods provided by RAW and you'll have a correctly exposed black
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White Balance: `( q# q+ Z* ?( J+ D
If in need of a quick white balance tool, you can use a standard# G5 J- E& p: C* L7 ~8 J
white coffee filter. Use the custom camera white balance while aiming6 S U: \* u; F! x
the coffee filter and lens to the opposite of the light source to get white
0 l2 r; W$ S3 A; wbalance. I always keep coffee filters in my camera bag for
, K! }9 i8 o2 T n, i: T: e0 dsuch occasions.( V0 T- c( e3 k8 g, |/ G7 e
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Pseudo ISO Boost5 a t( z4 N( P
If you’re shooting in the dark at a concert venue and need more Q7 N, x0 q; S! h- T- d8 L
ISO boost from your camera and faster shutter speeds - choose
8 V9 H; J1 e6 h1 T7 w1 |* Zthe highest ISO setting on your camera and underexpose your image
4 I! L. f) E) V4 r/ b2 N" |by one stop. Then you can use a RAW processor to overexpose the
8 ~4 Q$ ~2 m9 ~9 w; t) x% y( Dimage by one or two stops. Image noise may be higher but this ?! \% s) }6 M
works very well for concert, venue and event shooting. |
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