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This was in a Vistek ad…some cool tips you may want to use.- |" ?/ F" [6 F. d. N7 R& C
3 N N2 n+ q. e+ K. p6 K+ Q; pDigital Black and White
, v2 P3 A9 R o6 i5 q) W% SShoot in RAW and underexpose your image by 1/2 stop to a full stop.
/ b/ ?& G- [7 r6 q9 w" _" TUse the shadow and highlights tool in a RAW software program to& D, @6 i, q0 h" y7 s/ @: ~& h
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
7 F% O9 F1 Y( xmethods provided by RAW and you'll have a correctly exposed black: J$ h6 V" N9 O! H- c! p
and white image./ z6 j: H+ _# y) k) R; M
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White Balance
+ x- ?9 k; n- K$ x! Z1 [: WIf in need of a quick white balance tool, you can use a standard/ W0 p5 C. C9 y5 \$ m
white coffee filter. Use the custom camera white balance while aiming
- i/ n( z8 _0 f; o2 Uthe coffee filter and lens to the opposite of the light source to get white( B, x- j. u. D7 H4 j) q
balance. I always keep coffee filters in my camera bag for
9 L& I q( q5 X# Isuch occasions.
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Pseudo ISO Boost
( l6 b7 S& Q" ?3 ], i+ wIf you’re shooting in the dark at a concert venue and need more) {* Z; D. j( j7 t/ u0 e
ISO boost from your camera and faster shutter speeds - choose 1 t% p- T+ N. B8 j' b
the highest ISO setting on your camera and underexpose your image
f3 z2 q( j% B4 m9 tby one stop. Then you can use a RAW processor to overexpose the
+ m8 S# E( s* ]. R, `4 l, y, simage by one or two stops. Image noise may be higher but this
* r# `: u: s; ^9 ~works very well for concert, venue and event shooting. |
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