D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
" H9 M' i1 z# T! hof the new Nikon D800. Established medium-format image quality is
now inside a phenomenal, incredibly responsive Nikon machine. At 36.3
1 |  u6 ]8 t1 m7 |: }megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
( o9 Y# d# m! g+ }' Nmatrix metering III, wide dynamic range and the improved AF performance
; N6 S! ~$ g2 L' {- a. Rin low light are just a few features that are glaring improvements. The D800
( }9 K  T1 ^, ?allows me to concentrate on the light, the composition and my subject
without having to think about much else. In years past, wedding photography
7 ?; l% `: `, iwas traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
widely accepted that image quality was compromised in lieu of speed and
! V2 s0 ]0 O# x0 n8 Z4 C+ t& D- D" iconvenience. Now, my wedding portraiture will have a depth it’s never shown
/ c8 g7 _5 e6 g1 E# {5 m7 k& ]0 Fbefore, and my style of shooting will be enhanced rather than compromised,
9 n5 L. F2 r) Y- Othanks to the D800.
When I’m shooting beauty and jewelry in the studio or fashion on location,
0 ~2 ~4 j5 n, m, h36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
" P8 c4 w6 S/ M* O' t4 Jthe look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
8 c& @# b8 a& M4 f# a- g4 \5 y# ?5 Bwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
has noticeable improvements in metering accuracy, while the larger LCD is
& S8 |  R8 E5 y5 ?easier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
( t! @- j. u! R$ ^1 \" t& ocameras always inspire me to test and explore, and all the useful features
* U; T* k% `+ S! s9 ?1 b9 Min such a compact package will open huge creative possibilities for my highquality
4 G: |" E3 q$ H5 |) [7 [5 N: o- tprints and video.
  Z8 ?8 y3 j# e5 Q  hTo me, cameras are more like paintbrushes than technology. The goal is
! M, M; p# x( r4 z1 J" i/ R+ K+ Snot megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
, i4 X2 y4 |. }! \: rlike never before. Subtle camera movements showed and differences of
3 _9 I& O" z( |6 u- P" h3 ?acuity between aperture choices on various lenses were apparent. But now I
am enthralled with this technology. Why? Because the images almost feel as
, d; a; ^- e/ w  i# C& j. K6 Xthough they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
2 U7 w  h$ i  ?1 K, a$ T' Ptremendously to the camera’s personality. After spending a month with the
D800, I’ll never be the same again. Perhaps the best compliment I can express
- Q" W: I6 x/ l, kis that now I will think differently about the images I make.
5 p$ p, N" r* l( |' R  _/ K2 D: oAs a modern architectural photographer I am always looking for a lightweight,
compact and reliable camera system fulfilling the requirements of my personal
4 X+ F/ D1 @4 V' ?  v8 Q4 Y& Q1 vartistic and client expectations. The Nikon D800 will set new standards for
( \1 X8 o' n! V! ?9 ethe high-end 35mm D-SLR market. I have never worked with a 35mm digital
camera that produces images with such exceptional quality and detail till
3 z2 H1 B$ ?( `- r# m8 |& g3 _now. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
& I3 @# s( g5 x9 mquality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
architectural photography. From my hands-on experience I found that they
8 M7 P6 C  o2 |! p2 {$ `1 [4 ^' Aperfectly match with the newly invented system and produce breathtakingly
  ?7 O' h2 Z- g2 R" uclean, clear and sharp files. This camera gives me the photographic flexibility
8 p. R) b, a4 i" ^to work at unusual shooting locations and capture images in an exceptional
- t, v9 k1 n/ _range of light. It definitely takes my photographic versatility and image quality
6 P- a2 M9 r! b/ x" A7 Oto a new level. What a new companion!
; Q5 j' `8 V5 t- KThe D800 On Assignment
. E" Q( \' S5 h$ q! n( [. zRob Van Petten
; n; y* T3 S7 tFashion (U.S.A.)
Cliff Mautner
5 A2 `+ O8 [5 D3 g# dWedding (U.S.A.)
Jim Brandenburg
$ I( [; [% h) U1 ?! S( GNature (U.S.A.)
Benjamin Antony Monn
. y1 x1 @1 C% A  k1 _$ lFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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