D800

NEWMAYOR

Speed and power, without compromise. That’s how I’d sum up my impression
- N9 f$ ~, b' n' S1 R7 Y1 e' a5 j1 |of the new Nikon D800. Established medium-format image quality is
) [3 T5 B# H& k3 n5 ], p- N+ Znow inside a phenomenal, incredibly responsive Nikon machine. At 36.3
megapixels, the D800 produces unprecedented image quality and resolution
within a body that boasts revolutionary technological advances. The 3D color
matrix metering III, wide dynamic range and the improved AF performance
3 |9 ]7 N" I1 n& Jin low light are just a few features that are glaring improvements. The D800
9 a1 ^) r, s) V; y1 d0 h4 c: Iallows me to concentrate on the light, the composition and my subject
2 H5 ]5 Y0 J5 Z/ Hwithout having to think about much else. In years past, wedding photography
was traditionally captured with medium-format equipment for maximum
image quality. When the 35mm format was adopted within the genre, it was
6 S& {+ i( b% N# ]* T. Bwidely accepted that image quality was compromised in lieu of speed and
convenience. Now, my wedding portraiture will have a depth it’s never shown
before, and my style of shooting will be enhanced rather than compromised,
; w; @* D$ U; t7 ~% v. y, R* L6 q' w6 ethanks to the D800.
& ~* _- R( V- R4 Y" vWhen I’m shooting beauty and jewelry in the studio or fashion on location,
4 a6 q( ]# i3 y4 K( M, o3 g36.3 megapixels changes the industry standard: in image quality, dynamic
range, color rendering and the final print. The detail from the D800 produces
the look of a medium-format camera, but gives me the feel and response of a
D-SLR. The improvements in rendering skin tone and specular highlights, as
: Y5 h( S& p. b% R, R) Wwell as fabric and hair detail are superior to anything that has come before.
Autofocus quickly tracks models in motion. Nikon’s 91K-pixel RGB sensor
7 _" m0 `' T, E3 N/ Chas noticeable improvements in metering accuracy, while the larger LCD is
, W4 z$ O& Q0 z5 m' X+ B; Z) ]easier to read. The camera body feels solid and ergonomically simple, while
also feeling lighter and smaller than previous high-resolution Nikons. New
0 X* v) F8 T" O2 N5 `+ Pcameras always inspire me to test and explore, and all the useful features
8 `7 a+ V+ I: P: l# n1 I# ]in such a compact package will open huge creative possibilities for my highquality
* r1 ?9 Y$ e  ]8 y+ n. m% h2 nprints and video.
1 t! d6 l! s% U2 G, QTo me, cameras are more like paintbrushes than technology. The goal is
not megapixels or technique but the image, and while camera models
are important, they are not the be-all or end-all. But after a lifetime using
countless cameras, I have found a new best friend. It was not love at first
sight. The sharpness and detail were initially intimidating, exposing my flaws
  A2 y2 J$ I# M/ {like never before. Subtle camera movements showed and differences of
. f" j3 S3 w" W- s$ gacuity between aperture choices on various lenses were apparent. But now I
/ ]5 i6 ~) _) Z/ ]- Bam enthralled with this technology. Why? Because the images almost feel as
/ I) x& s* s) q- {though they were made with a 4x5 view camera! Special features like timelapse
photography and the improved HD video quality and flexibility also add
3 g, U9 e9 s; ^- e1 k! R6 ptremendously to the camera’s personality. After spending a month with the
2 W, M' s/ f6 c: a1 p( r8 kD800, I’ll never be the same again. Perhaps the best compliment I can express
( H" H- B9 c6 ]: jis that now I will think differently about the images I make.
* x) k0 m7 l1 \0 E4 s7 D, \7 SAs a modern architectural photographer I am always looking for a lightweight,
: W& w/ e! q9 R/ I7 P3 ycompact and reliable camera system fulfilling the requirements of my personal
, J- z+ r- V9 e$ ~' Q2 W3 _artistic and client expectations. The Nikon D800 will set new standards for
, }" q  X" J% W5 rthe high-end 35mm D-SLR market. I have never worked with a 35mm digital
- U8 D( t% c/ g( R4 |# ~camera that produces images with such exceptional quality and detail till
* S/ m/ r5 W% g- Rnow. Particularly, the live view mode enables extremely precise compositions
and easy focusing in dim lighting, which simplifies my workflow. Superior
quality lenses such as the PC NIKKOR tilt & shift lineup are indispensable for
1 q- l! J" Y$ {1 j9 Jarchitectural photography. From my hands-on experience I found that they
( y$ @5 s3 L  }' E) p" q0 tperfectly match with the newly invented system and produce breathtakingly
clean, clear and sharp files. This camera gives me the photographic flexibility
; i, L0 v0 I# O9 c& L: t# zto work at unusual shooting locations and capture images in an exceptional
0 W; M- Q) ]+ A- W; Y; g; k! ?range of light. It definitely takes my photographic versatility and image quality
to a new level. What a new companion!
The D800 On Assignment
Rob Van Petten
Fashion (U.S.A.)
Cliff Mautner
Wedding (U.S.A.)
Jim Brandenburg
% a* v6 I3 j% _0 Y5 p, qNature (U.S.A.)
Benjamin Antony Monn
1 U$ S5 O8 d5 G) x8 C' e6 s  hFine art/Architecture (Germany)
Printed in Holland Code No. 6CE11030 (1202/A)K

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