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This was in a Vistek ad…some cool tips you may want to use.5 T3 \$ ?8 |+ W1 Z& H6 d6 i J
$ A" _% F7 I8 o: D+ l) R7 ^. pDigital Black and White
6 L% p9 h" L }# L0 y! DShoot in RAW and underexpose your image by 1/2 stop to a full stop.0 Z/ w. o- H8 d; D' x
Use the shadow and highlights tool in a RAW software program to
( ]7 Y9 m* f) l6 ]( t5 U3 nrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White$ q* Y) w! U$ r; A9 X" S
methods provided by RAW and you'll have a correctly exposed black
- b e/ N1 t I M6 m% s% Uand white image.2 Y. g; o4 Z$ t3 `: i
9 e, V$ N3 D* ~. j* sWhite Balance/ F' l9 ? {" }% j8 \) t. }
If in need of a quick white balance tool, you can use a standard: x) T3 ~7 }, l- U" ^. C8 \
white coffee filter. Use the custom camera white balance while aiming
4 [5 O4 g1 Q8 S8 R2 Y: c9 `+ lthe coffee filter and lens to the opposite of the light source to get white$ q' t+ k( N V9 S
balance. I always keep coffee filters in my camera bag for$ l, \0 D, t$ \3 B# M1 |
such occasions.
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- N1 R9 k9 g4 c0 W" q7 zPseudo ISO Boost
1 A9 g' P+ m! J, RIf you’re shooting in the dark at a concert venue and need more* ]. x; ?8 Z+ a9 k% W" S
ISO boost from your camera and faster shutter speeds - choose & u- d2 [/ |- U* j! J
the highest ISO setting on your camera and underexpose your image
- A2 l4 S+ |! V! E. z" ~by one stop. Then you can use a RAW processor to overexpose the9 V- u, ^+ z" G( a. M
image by one or two stops. Image noise may be higher but this+ |* {9 a* w; I/ F' |
works very well for concert, venue and event shooting. |
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