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This was in a Vistek ad…some cool tips you may want to use.
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! k. J4 h4 r. t/ C, G- D1 _3 k7 bDigital Black and White& T6 X1 @ y) u0 o+ c. M, @4 P
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
B3 R% u" o4 V5 LUse the shadow and highlights tool in a RAW software program to
! @5 f8 [5 j: [restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
, \0 Y. l9 r* {5 G. s. Q) z: ^methods provided by RAW and you'll have a correctly exposed black2 N* |% \- Q, x6 B3 M. A2 N3 b
and white image.
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White Balance- f; ?/ {# K9 \, e _) b, B' z
If in need of a quick white balance tool, you can use a standard
) Q" P# ]" ]( _6 C5 \white coffee filter. Use the custom camera white balance while aiming
# h6 w. y' O, G/ z, ?the coffee filter and lens to the opposite of the light source to get white
8 B+ ^7 r. w0 d* O! C- F4 Ibalance. I always keep coffee filters in my camera bag for( B( i, m; F* w- x
such occasions.
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Pseudo ISO Boost
( L q/ d) Z: o/ [( E: NIf you’re shooting in the dark at a concert venue and need more/ h. N* k# M" X# Q3 y( q% b3 M% e
ISO boost from your camera and faster shutter speeds - choose
0 l `, }1 Y5 }the highest ISO setting on your camera and underexpose your image
, @3 o8 C4 Z- Zby one stop. Then you can use a RAW processor to overexpose the
! r" V0 i1 G8 G; _/ ~image by one or two stops. Image noise may be higher but this4 `/ ?9 Y0 z, u$ @" Q: l, P: s: o
works very well for concert, venue and event shooting. |
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