 鲜花( 152)  鸡蛋( 1)
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; U) L5 [: ?# `0 P' V0 T r9 MRandy Pausch’s Last Lecture: Really Achieving Your Childhood Dreams! s" Q5 C6 ~2 q0 x5 I- ~
Given at Carnegie Mellon University q7 m2 H% {; C& u9 o7 P
Tuesday, September 18, 2007. C/ V* g3 ?/ t0 P
McConomy Auditorium
3 M* V. j% J4 L7 d2 `1 t$ u' xFor more information, see www.randypausch.com
* m; W0 t( J: a2 h* `6 @© Copyright Randy Pausch, 200711 G& q9 D3 m5 y# l8 Y" a
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Introduction by Indira Nair, Carnegie Mellon’s Vice Provost for Education:
+ }7 ^, B5 ^$ E" O5 l, ~Hi. Welcome. It’s my pleasure to introduce you to the first of our new university’s lectures titled
1 L3 c7 W/ Z4 Y. Q2 j' mJourneys – lectures in which members of our community will share with us reflections and insights0 [8 q6 h6 U1 v, {. e: ~
on their personal and professional journeys. Today’s Journey’s lecture as you all know is by
5 H) {8 Y& P) WProfessor Randy Pausch. The next one is on Monday, September 24th by Professor Roberta Klatzky. k6 A, i, r9 H1 T7 z6 C
To introduce Professor Randy Pausch, our first Journeys speaker, I would like to introduce Randy’s! ~( e' a r: C) I* [+ B
friend and colleague, Steve Seabolt. Steve has been at Electronic Arts for six years and is the Vice
! B1 X+ G. X/ \2 F% x) a1 h0 oPresident of Global Brand Development for The Sims label at Electronic Arts. As you all know, The5 G1 l7 q+ q A9 r! t. j* Z3 i
Sims is one of the most, if not the most successful PC games in the world, with sales approaching
9 d$ `$ L0 b/ Sover $100,000,000. Prior to that, Steve was the Vice President for Strategic Marketing and }) m! o: i0 x6 ]2 y
Education at EA, bridging academia and Electronic Arts. His goal was to work with academics so' M# ~3 B% N( T+ _' M
there was an effective educational pathway for kids with building games as their dreams. It was in) ]9 G9 M( p1 i; R& p
that role that Randy and Steve became colleagues and friends. Before Electronic Arts, Steve was the
. |7 C+ F( }: k7 J$ S- ~( c" ~worldwide Ad Director for Time Magazine and CEO of Sunset Publishing, which is a very favorite
+ t1 S2 _1 t3 C# M8 @magazine in the Southwest, and as CEO there, one of the things he started was school tours,2 L: F7 C, j ^: |; X; |+ E7 S; d
because like Randy he shares a passion for inspiring kids of all ages to share their excitement for
/ I, p6 _+ I& ]- _6 n' nscience and technology.: W, h' v: a; o
So to introduce Randy, his friend Steve Seabolt. Steve?
! X8 |2 y1 A9 h+ N) V( E[applause]: V, d7 v, r( L6 H2 w' C! P
Steve Seabolt, Vice President of Worldwide Publishing and Marketing for Electonic Arts (EA):
! e' R0 g* c' p# DThank you very much. I don’t mean to sound ungracious by correcting you, but given that our PR
5 U0 R7 r3 |4 f A4 l6 _( M7 i# u5 Tpeople are probably watching this on webcast, I’d catch heck if I went home and didn’t say that it6 `( D$ _+ f" q
was 100 million units for The Sims. [laughter] Not that big numbers matter to Electronic Arts.# \) `; h0 h# ~ b& o6 g7 P
[laughter], O; x9 c2 Y' ~: K/ g' D& C" X( G& e
I don’t see any empty seats anywhere, which is a good thing, which means I just won a bet from9 r! b/ o, P: A2 B7 i9 t
Randy as a matter of fact. Depending upon who’s version of the story you hear, he either owes me
9 F# T% k6 u2 b9 A20 dollars or his new Volkswagen. [laughter] So, I’ll take the car.
* A, ?* V& l. OIt’s a pleasure to be here, thank you very much. I’m going to start by covering Randy’s academic9 |) N8 }2 h, q8 p7 j* u
credentials. It’s a little bizarre for me to be standing here at Carnegie Mellon, which is a school I8 O6 E6 Q g. p7 j
couldn’t get into no matter how much I contributed to this institution. [laughter] But, no really, I’m
# d) [3 E% a( ?" xnot kidding! You all think, oh gosh he’s humble. Really, no, I’m not humble at all. Very average SAT
% K. Z7 K8 ?5 _' ascores, you know, right in the middle of my high school class of 900. Anyway, Randy. Randy earned
' R- q' Q0 [* ^' i7 I6 z– it really pisses me off that Randy’s so smart—actually I called him, we decided about, what, four
! |/ R5 o K0 H. r% Rweeks, ago and we heard the news went from bad to horrific. It was on a Wednesday night and I
$ @- o& ]2 c. n/ d8 Asaid look – we have two choices. We can play this really straight and very emotional , or we can go5 ?: ]2 h/ E: `/ | o
to dark humor. And for those of you who know Randy well, he was like oh, dark humor! So I called6 g2 C# t2 O- T2 M$ s# D
him the next day and I was like, dude you can’t die. And he’s like, what do you mean? And I said,; b- T( A# b% k) k0 B/ @" v. p
well, when you die, the average of IQ of Seabolt’s friends is going to like drop 50 points. [laughter] To
' W6 u* Q R, B9 zwhich he responded, we need to find you some smarter friends. [laughter] So you’re all smart
( \ V' o. s4 K% K9 q1 @4 _because you’re here, so if you want to be my friend, I’ll be over in a corner of the reception room.
0 A1 h9 W% c' K8 lRandy earned his undergraduate degree in Computer Science at Brown in 1982. His Ph.D. in CS from
" a, B4 q8 p. h$ j1 pCarnegie Mellon in 1988 and taught at the University of Virginia where he was granted tenure a year2 H" z1 U* I6 F3 E
early. He joined the Carnegie Mellon faculty in 1997 with appointments in the CS, HCI and Design
, P/ }& g: P. f+ Q3 N6 k0 @' wdepartments. He has authored or co-authored five books and over 60 reviewed journal and9 \# k6 y. l: W* |
conference proceeding articles, none of which I would understand. With Don Marinelli, he founded# v& d& P0 m) [% c, @
the Entertainment Technology Center, which quickly became the gold standard organization for
$ F2 X% ?8 T; {" i3 n Z) ltraining artists and engineers to work together. It is my view and the view of our company,6 R/ J' {; J6 ?
Electronic Arts, that the ETC is the interactive program by which all others in the world are judged.3 C5 e5 J- k3 h0 p" q: b' g
I met Randy in the Spring of 2004, and when I look back it’s sort of hard to imagine it’s only been
* M6 k6 a3 R' v8 Uthree years given the depth of our friendship. The ETC already had a very strong relationship with% Y, H/ ?3 j* u0 ]" d
EA and with Randy. And Randy as he always does, for those of you who know him well, wanted to9 G% q4 P) Z; S |9 U" s @# B# m
learn more, with his own eyes, about how the games business works, and how games really got; [; h1 i) T: X- ~. i4 m
made. So he spent a summer in residence at EA, and I was his primary contact point. We were in
9 W; ?: C1 O4 I; V! ^1 Q# M6 gmy view the odd couple. Randy the brilliant, charming, Carnegie educated CS professor. And me
) d3 k- C2 p O2 D' a* r. L" ewho went to the University of Iowa on a wing and a prayer. We spent a lot of time together that# G+ P9 d. e& t5 G1 P3 ^3 X+ i
semester and for those of you who know Randy well, that’s a lot of turkey sandwiches on white0 B, g6 f! }9 B6 \! ]8 k
bread with mayo. [laughter, clapping] My kids tease me about being “white.” There’s nobody more+ s7 A5 h# B0 E& [" ?% ?$ x$ B' P
“white” than Randy. [laughter] We spent an enormous amount of time together. We taught each+ I; Y; C, r" k" ?
other about each other’s very interesting, strange cultures to the other. Academic versus the
( ?6 X8 t3 @0 B! O) d1 Lcorporate world. And we developed a deep friendship woven together with stories about our kids,( d; x. ^, n" V! c$ Z- `3 M
our wives, our parents, as well as deep discussions about the paramount nature of integrity in5 c! N6 z! ^8 |5 N( q: D
everything you do, family first, religion, our shared joy in connecting people and ideas, and
$ V" w( D* _+ K! }; J: e; ^* J/ ndeploying money and influence to do good. And the importance of having a lot of laughs along the! n, H7 ^# [: f6 q" R+ I) j
way.
' H1 B/ s6 Y% D/ G7 T. {Randy’s dedication to making the world a better place is self evident to anyone who has crossed
" m! h9 V6 ~6 Z) u) @$ Z2 _! {paths with him. Whether it’s directly influencing students, creating organizations like the ETC,
+ A0 Q1 s% S' v+ C) Zbuilding tools like Alice or doing what he probably does best, which is bridging cultures. As Ben
% h3 }( { i7 m& KGordon, EA’s Chief Creative Officer, says of Randy, even more important than Randy’s academic,* h! u# H0 p5 v q" q
philanthropic, and entrepreneurial accomplishments has been his humanity and the enthusiasm he l% t) Y. W6 K$ q6 k
brings to students and coworkers on a daily basis.# q( Q R- W, z& d8 G' o
For those of you who know Randy, Randy brings a particular zest for life and humor, even while
2 z! B8 n7 r, H+ yfacing death. To Randy, this is simply another adventure. It is my great honor to introduce Dylan,
6 L2 ]3 W9 L6 ?Logan and Chloe’s dad, Jai’s husband, and my very dear friend, Dr. Randy Pausch. [applause]
8 E% a( |- B: Z$ ?/ XRandy Pausch:
" R, y& K* G1 K& p7 O) A9 {[responding to a standing ovation] Make me earn it. [laughter], U2 W1 ~, Y; T% p, ~# e8 b9 [
It’s wonderful to be here. What Indira didn’t tell you is that this lecture series used to be called the
' ~# _* C' S' _4 ]' }# xLast Lecture. If you had one last lecture to give before you died, what would it be? I thought, damn,! y+ E2 Y' H8 b
I finally nailed the venue and they renamed it. [laughter]
: b3 A/ ~# F8 o% E; USo, you know, in case there’s anybody who wandered in and doesn’t know the back story, my dad( I# q) C. F5 t6 q- `. [4 t
always taught me that when there’s an elephant in the room, introduce them. If you look at my CAT
% @! k# [2 A9 B, ~scans, there are approximately 10 tumors in my liver, and the doctors told me 3-6 months of good
' }- c9 c* F. m+ s+ w& |$ b$ Q2 u7 Qhealth left. That was a month ago, so you can do the math. I have some of the best doctors in the
; A! Z" f8 g1 oworld. Microphone’s not working? Then I’ll just have to talk louder. [Adjusts mic] Is that good? All) y& {3 a3 I2 I6 j
right. So that is what it is. We can’t change it, and we just have to decide how we’re going to7 Q. }- f/ K+ _: N3 N- h
respond to that. We cannot change the cards we are dealt, just how we play the hand. If I don’t& [2 o# \4 x+ Q/ i6 k3 G, U7 W) |
seem as depressed or morose as I should be, sorry to disappoint you. [laughter] And I assure you I
0 V. u" C1 t, ]9 p% q/ Uam not in denial. It’s not like I’m not aware of what’s going on. My family, my three kids, my wife,; o7 s, M+ |( u# H) W+ x
we just decamped. We bought a lovely house in Virginia, and we’re doing that because that’s a
, V5 c9 W7 u- X8 `+ y/ K8 Q3 Ubetter place for the family to be, down the road. And the other thing is I am in phenomenally good$ }' e0 r3 W- L: ~/ `
health right now. I mean it’s the greatest thing of cognitive dissonance you will ever see is the fact+ y% d: ^9 A$ c1 v% o
that I am in really good shape. In fact, I am in better shape than most of you. [Randy gets on the
" v# D0 x; x$ q/ Lground and starts doing pushups] [Applause] So anybody who wants to cry or pity me can down and
. v( r7 \1 u0 U+ q! y- ?8 Ido a few of those, and then you may pity me. [laughter]3 C% c3 p t- h7 p. y6 F9 S% g! N
All right, so what we’re not talking about today, we are not talking about cancer, because I spent a
: H4 a) p. A, d* l% p1 Plot of time talking about that and I’m really not interested. If you have any herbal supplements or
, A! c' ?' r: [remedies, please stay away from me. [laughter] And we’re not going to talk about things that are" J" i( u$ ~3 h$ S
even more important than achieving your childhood dreams. We’re not going to talk about my wife,. u1 h) e2 f" V, _! b4 S# e! H
we’re not talking about my kids. Because I’m good, but I’m not good enough to talk about that
; ]3 j& Q5 b# \( J, g9 Jwithout tearing up. So, we’re just going to take that off the table. That’s much more important.
5 J6 }! N! y7 J" h# LAnd we’re not going to talk about spirituality and religion, although I will tell you that I have6 u& }) }& _) R$ \+ C. ]5 O7 j
achieved a deathbed conversion. [dramatic pause] … I just bought a Macintosh. [laughter and
( a8 ?4 A3 ^! @" nclapping] Now I knew I’d get 9% of the audience with that … All right, so what is today’s talk about
% o r. y' T- t, R4 p$ _then? It’s about my childhood dreams and how I have achieved them. I’ve been very fortunate that. \" M) K& e4 `6 _8 h3 l' [
way. How I believe I’ve been able to enable the dreams of others, and to some degree, lessons
4 Q: ~8 Y6 W4 p% V+ Y+ Qlearned. I’m a professor, there should be some lessons learned and how you can use the stuff you
5 f4 W3 x+ _& I+ Ihear today to achieve your dreams or enable the dreams of others. And as you get older, you may
( D" s# T8 ]- q. L" e0 k1 y: ^find that “enabling the dreams of others” thing is even more fun.
7 `4 L" q. s. E% ]# B" QSo what were my childhood dreams? Well, you know, I had a really good childhood. I mean, no
1 S( f" d4 T0 B: W- Bkidding around. I was going back through the family archives, and what was really amazing was, I l0 D; y" E! R! ^: g. L- c- o
couldn’t find any pictures of me as a kid where I wasn’t smiling. And that was just a very gratifying
+ u9 x% A+ P; t" k( E; X3 y# W3 zthing. There was our dog, right? Aww, thank you. And there I actually have a picture of me" L" ^) q7 F4 h7 I* Q' x& }
dreaming. I did a lot of that. You know, there’s a lot of wake up’s! I was born in 1960. When you
# ?8 @9 m: K2 |are 8 or 9 years old and you look at the TV set, men are landing on the moon, anything’s possible.
+ W0 C, [- V. Y" dAnd that’s something we should not lose sight of, is that the inspiration and the permission to
/ J1 v& F1 Q' B' p& r' pdream is huge.: i* S7 V# u$ R
So what were my childhood dreams? You may not agree with this list, but I was there. [laughter]
( o' k- Q+ k$ }- _" q; eBeing in zero gravity, playing in the National Football League, authoring an article in the World Book
# U a9 Z) y1 o2 V- `Encyclopedia – I guess you can tell the nerds early. [laughter] Being Captain Kirk, anybody here have$ ^: Y) t) Z) G7 n& d: A
that childhood dream? Not at CMU, nooooo. I wanted to become one of the guys who won the big" H- c6 P1 K. d1 M2 C
stuffed animals in the amusement park, and I wanted to be an Imagineer with Disney. These are not
" q. X6 ^) N: S1 a! O7 G8 Q% y9 Asorted in any particular order, although I think they do get harder, except for maybe the first one.
( {% }4 I/ Q+ I/ h/ v8 [) WOK, so being in zero gravity. Now it’s important to have specific dreams. I did not dream of being an( X; [3 ?, B1 h) ?9 P5 T. u
astronaut, because when I was a little kid, I wore glasses and they told me oh, astronauts can’t have: O: y* G% P. x( L/ g$ v% K
glasses. And I was like, mmm, I didn’t really want the whole astronaut gig, I just wanted the floating.
) z9 h* ^* v2 o* d5 c; XSo, and as a child [laughter], prototype 0.0. [slide shown of Randy as a child lying in floatingformation* i1 O# x# j: x( h
on a table top] But that didn’t work so well, and it turns out that NASA has something
w! {/ `- w5 H1 L) q8 d: T5 i9 ?called the Vomit Comet that they used to train the astronauts. And this thing does parabolic arcs,/ n0 {# g# ^% I3 E+ r
and at the top of each arc you get about 25 seconds where you’re ballistic and you get about, a
7 Y9 [6 m i/ v% [' Hrough equivalent of weightlessness for about 25 seconds. And there is a program where college
4 Y7 g5 z* K8 T' r0 I7 P6 gstudents can submit proposals and if they win the competition, they get to fly. And I thought that+ ~" P c$ f9 \0 c8 y7 o3 L
was really cool, and we had a team and we put a team together and they won and they got to fly.0 m8 x2 I) M/ j& @0 }; y( `8 K- f
And I was all excited because I was going to go with them. And then I hit the first brick wall, because& \( e2 C8 @) f" Y0 A3 Q
they made it very clear that under no circumstances were faculty members allowed to fly with the
: ~/ \2 s/ L3 R% h2 V# ~3 |5 k: }teams. I know, I was heartbroken. I was like, I worked so hard! And so I read the literature very
" C' r' e' k _8 ^carefully and it turns out that NASA, it’s part of their outreach and publicity program, and it turns
3 G9 |0 K) ^- N3 c6 T/ rout that the students were allowed to bring a local media journalist from their home town.( z/ F& ]; K8 A$ p! Q
[laughter] And, [deep voice] Randy Pausch, web journalist. [regular voice] It’s really easy to get a( ?% Y0 z3 a- O; X2 |$ V' o
press pass! [laughter] So I called up the guys at NASA and I said, I need to know where to fax some
) ], ^5 R4 y2 g& adocuments. And they said, what documents are you going to fax us? And I said my resignation as
5 q3 S) n/ e( h( F0 H) Kthe faculty advisor and my application as the journalist. And he said, that’s a little transparent, don’t
' j* Q+ {9 A) t' dyou think? And I said, yeah, but our project is virtual reality, and we’re going to bring down a whole5 U5 ?! f' R+ _, _/ A
bunch of VR headsets and all the students from all the teams are going to experience it and all those G$ u5 r* x! H c4 l3 B& I
other real journalists are going to get to film it. Jim Foley’s [who is nodding in the audience] going
0 N1 }4 K5 x0 G( I- T. Moh you bastard, yes. And the guy said, here’s the fax number. So, indeed, we kept our end of the
( q, T$ Z1 e6 Z2 ?3 p- abargain, and that’s one of the themes that you’ll hear later on in the talk, is have something to bring/ o# U6 R7 T' P9 ?, T
to the table, right, because that will make you more welcome. And if you’re curious about what
9 `4 G. T8 m* ^9 Z; Uzero gravity looks like, hopefully the sound will be working here. [slide shows videotape from) l* h2 X/ a: H
Randy’s zero gravity experience] There I am. [laughter] You do pay the piper at the bottom. [laugher,/ }+ o6 c; q7 L7 s' @+ [6 K0 z: T
as the people in the video crash to the floor of the plane on the video] So, childhood dream number9 F; }! a8 h0 @* A, s$ q' D
one, check.' O% i! S/ m0 ]# Y
OK, let’s talk about football. My dream was to play in the National Football League. And most of V- G6 i& `6 D; z+ U
you don’t know that I actually – no. [laughter] No, I did not make it to the National Football League,
0 t6 o5 |4 }' v, ?but I probably got more from that dream and not accomplishing it than I got from any of the ones+ N# X& n( d- M+ R+ \
that I did accomplish. I had a coach, I signed up when I was nine years old. I was the smallest kid in
$ @6 B5 f# n/ r2 ?the league, by far. And I had a coach, Jim Graham, who was six-foot-four, he had played linebacker/ w. }* e8 X- Y% E- I
at Penn State. He was just this hulk of a guy and he was old school. And I mean really old school.
7 v, G& U# a) o3 N8 o" e! p/ LLike he thought the forward pass was a trick play. [laughter] And he showed up for practice the first
4 c9 A o) S$ m U1 L0 n8 H% h& Eday, and you know, there’s big hulking guy, we were all scared to death of him. And he hadn’t0 @8 S3 P+ h; k
brought any footballs. How are we going to have practice without any footballs? And one of the
& D7 y7 v. O% \% b- w9 o% V1 Zother kids said, excuse me coach, but there’s no football. And Coach Graham said, right, how many2 G, O8 j8 k7 v" N% l1 r
men are on a football field at a time? Eleven on a team, twenty-two. Coach Graham said, all right,
7 I. h4 h4 ~4 r9 @: e3 J2 m) jand how many people are touching the football at any given time? One of them. And he said, right,
% r& T8 R/ q; f+ u! q; cso we’re going to work on what those other twenty-one guys are doing. And that’s a really good
% W+ H) p) G2 e$ t6 y2 J- Z7 Mstory because it’s all about fundamentals. Fundamentals, fundamentals, fundamentals. You’ve got
) F; A7 u" }8 L1 `6 f% x: ito get the fundamentals down because otherwise the fancy stuff isn’t going to work. And the other
+ B: u+ d/ k6 \6 Y$ K( fJim Graham story I have is there was one practice where he just rode me all practice. You’re doing3 Z+ \3 W. X2 y+ u
this wrong, you’re doing this wrong, go back and do it again, you owe me, you’re doing push-ups
# f$ @3 ?0 ?+ Q/ t: b% P% T* \7 _after practice. And when it was all over, one of the other assistant coaches came over and said,
9 i0 s- q9 {2 E9 a# p: _yeah, Coach Graham rode you pretty hard, didn’t he? I said, yeah. He said, that’s a good thing. He
0 L5 ]( d- b# t% A3 N) }said, when you’re screwing up and nobody’s saying anything to you anymore, that means they gave
/ g, z5 n# ~6 R' _$ Mup. And that’s a lesson that stuck with me my whole life. Is that when you see yourself doing: v0 S$ v0 y+ ]/ q
something badly and nobody’s bothering to tell you anymore, that’s a very bad place to be. Your4 }: [/ G9 d0 K1 u- B
critics are your ones telling you they still love you and care.& A- Z3 D& ~$ D6 h8 c0 R3 a8 X
After Coach Graham, I had another coach, Coach Setliff, and he taught me a lot about the power of
v( l9 e; z% [5 o$ U) y6 [enthusiasm. He did this one thing where only for one play at a time he would put people in at like
6 O1 P' } I8 h2 X R5 B; h) H Sthe most horrifically wrong position for them. Like all the short guys would become receivers, right?# G: y! m/ O" Y- w
It was just laughable. But we only went in for one play, right? And boy, the other team just never
, [$ R+ t3 y1 e: x. Aknew what hit ‘em them. Because when you’re only doing it for one play and you’re just not where
/ D2 w M+ L% P0 [' E6 nyou’re supposed to be, and freedom’s just another word for nothing left to lose, boy are you going& I; C4 l' o* n4 \' l! j2 f
to clean somebody’s clock for that one play. And that kind of enthusiasm was great. And to this
* z [) F9 U1 \' H( J# c% } ~; u# Rday, I am most comfortable on a football field. I mean, it’s just one of those things where, you0 T. H, y1 x( L
know, [pulls out a football] if I’m working a hard problem, people will see me wandering the halls
8 r) x Z2 a; g% a3 U7 \- J: lwith one of these things, and that’s just because, you know, when you do something young enough% l, ]% o7 z/ v& s, L, m
and you train for it, it just becomes a part of you. And I’m very glad that football was a part of my6 r8 M) S6 @3 U( A
life. And if I didn’t get the dream of playing in the NFL, that’s OK. I’ve probably got stuff more
2 U% l- H) r! Evaluable. Because looking at what’s going on in the NFL, I’m not sure those guys are doing so great9 ^( o+ s$ P' g6 f! n3 Z2 U* G, J
right now./ m9 O- [* [9 L8 T- ]$ M' `
OK, and so one of the expressions I learned at Electronic Arts, which I love, which pertains to this, is+ B, p8 s, v3 I9 V( e/ R( I
experience is what you get when you didn’t get what you wanted. And I think that’s absolutely
" R2 {% b- ]& @lovely. And the other thing about football is we send our kids out to play football or soccer or
- c+ R/ S; F( N7 P5 k9 Q; L, eswimming or whatever it is, and it’s the first example of what I’m going to call a head fake, or0 l# D' m( {! g1 J
indirect learning. We actually don’t want our kids to learn football. I mean, yeah, it’s really nice that' b; v! q. @2 b: V
I have a wonderful three-point stance and that I know how to do a chop block and all this kind of% S4 c" B, F2 t2 R3 M! D% ^
stuff. But we send our kids out to learn much more important things. Teamwork, sportsmanship,4 p( u/ G4 h6 f# P0 ^9 I6 J, L: O+ e# p
perseverance, etcetera, etcetera. And these kinds of head fake learning are absolutely important./ Z- r9 B; P9 R
And you should keep your eye out for them because they’re everywhere.
& h& D! m4 P1 BAll right. A simple one, being an author in the World Book Encyclopedia. When I was a kid, we had) s1 H; r/ ?- y
the World Book Encyclopedia on the shelf. For the freshman, this is paper. … We used to have these. \$ u# k9 T& a Y) u5 n) V a
things called books. [laughter] And after I had become somewhat of an authority on virtual reality,; T. D3 ` }! e5 O3 U8 x
but not like a really important one, so I was at the level of people the World Book would badger.
j# k5 y3 h3 S$ I; V7 e# T( MThey called me up and I wrote an article, and this is Caitlin Kelleher [shows slide of Caitlin wearing# H- a2 k6 ~- x# l' P
virtual reality headset manipulating a 3D world], and there’s an article if you go to your local library
! \. E/ [, t: c# i+ {$ u2 Gwhere they still have copies of the World Book. Look under V for Virtual Reality, and there it is. And
: E% t" N3 E1 h L) G. rall I have to say is that having been selected to be an author in the World Book Encyclopedia, I now, p; R( }( A4 h# [- _) k
believe that Wikipedia is a perfectly fine source for your information because I know what the0 f" U3 G0 p' C% ?7 T* ?+ W: S7 ~
quality control is for real encyclopedias. They let me in.
( s$ ^( Y6 A; @4 ? \4 BAll right, next one. [laughter] [shows slide “Being like Meeting Captain Kirk”] At a certain point you& }/ l: R9 r4 K
just realize there are some things you are not going to do, so maybe you just want to stand close to( j# I- ^. D( G/ ~6 ` L: }) Z
the people. And I mean, my god, what a role model for young people. [laughter] [shows slide of
( n6 s* W1 N. l! }( oCaptain Kirk sitting at his control station on the Starship Enterprise] I mean, this is everything you, r, | v" T1 A3 H) G
want to be, and what I learned that carried me forward in leadership later is that, you know, he. a) U+ x5 L/ p, b, c5 c
wasn’t the smartest guy on the ship. I mean, Spock was pretty smart and McCoy was the doctor and
' h/ I; S O+ D, c2 M8 o8 y4 K1 rScotty was the engineer. And you sort of go, and what skill set did he have to get on this damn thing
2 t' T. \: N8 Y3 Rand run it? And, you know, clearly there is this skill set called leadership, and, you know, whether or& V1 M" M ~' o% ]
not you like the series, there’s no doubt that there was a lot to be learned about how to lead people
! z+ }4 N5 a4 F% lby watching this guy in action. And he just had the coolest damn toys! [laughter] [shows slide of
# u0 }$ c* J8 O3 v! |Star Trek gadgets] I mean, my god, I just thought it was fascinating as a kid that he had this thing" D6 w( ]; W' O
[Takes out Star Trek Communicator] and he could talk to the ship with it. I just thought that was just
Z3 X3 O) v6 c6 uspectacular, and of course now I own one and it’s smaller. [takes out cell phone] So that’s kind of& A$ L. {& p- D, k0 v5 J
cool.0 M% d8 p5 y$ o
So I got to achieve this dream. James T. Kirk, and his alter ego William Shatner, wrote a book, which# A) j& F+ j' L8 a7 L8 U- q
I think was actually a pretty cool book. It was with Chip Walter who is a Pittsburgh- based author, C! F) _( m( Y/ Y* p( A
who is quite good, and they wrote a book on basically the science of Star Trek, you know, what has
" u' n1 w, W9 P! l0 Q8 \ Y pcome true. And they went around to the top places around the country and looked at various things
/ f& [. B( {: i# Wand they came here to study our virtual reality setup. And so we build a virtual reality for him, it: x* `( X" ^5 t I, S. o
looks something like that. [shows slide of virtual Star Trek bridge from the 1960’s TV show] We put it
: z+ u* H- r7 G. vin, put it to red alert. He was a very good sport. [sarcastically] It’s not like he saw that one coming. k7 z) X, O) Z: _, E& {8 A
[laughter] And it’s really cool to meet your boyhood idol, but it’s even cooler when he comes to you7 ?6 [: P2 |3 ^; C' f. \' z5 V# g
to see what cool stuff you’re doing in your lab. And that was just a great moment.; S9 k/ J' S6 v. e4 }7 ^
All right, winning stuffed animals. This may seem mundane to you, but when you’re a little kid and1 r0 R# N0 [" S4 u" m, I
you see the big buff guys walking around the amusement park and they’ve got all these big stuffed; r \! T6 `6 d" k+ c0 j, w
animals, right? And this is my lovely wife, and I have a lot of pictures of stuffed animals I’ve won.
( F4 a2 J U9 M( u: V, `[laughter] [shows slides of several large stuffed animals] That’s my dad posing with one that I won.
. G4 V0 O, C/ y- `) H' q9 J6 g3 lI’ve won a lot of these animals. There’s my dad, he did win that one, to his credit. And this was just
' l/ X1 Q% b' m- e6 I+ qa big part of my life and my family’s life. But you know, I can hear the cynics. In this age of digitally
/ ^6 P9 P! @! ~6 |$ c( i% }/ M: Tmanipulated images, maybe those bears really aren’t in the pictures with me, or maybe I paid
( u5 n; S& R3 ]+ P) [, I$ d; K* Qsomebody five bucks to take a picture in the theme park next to the bear. And I said, how, in this
" Y; F& {$ e4 G4 e, m7 `age of cynicism can I convince people? And I said, I know, I can show them the bears! Bring them. n' F( T) z$ _: I# w" x$ D! @
out. [several large stuffed animals are brought onto the stage] [laughter and clapping] Just put them
: E7 I2 O+ j% Z7 \back against the wall.
5 T# X V* ~% ~4 o5 e3 ?9 g) |3 zJai Pausch (Randy’s wife):: F* V+ ]; Z; t- Y
It’s hard to hear you. [adjusts Randy’s microphone]
$ q3 H8 C8 _) b2 ARandy Pausch:
1 K$ f% V3 I9 f% r! J' j) YThanks honey. [laughter] So here are some bears. We didn’t have quite enough room in the moving3 d9 Q! ]% J7 j
truck, and anybody who would like a little piece of me at the end of this, feel free to come up and: e _ }8 o3 n0 {! ]
take a bear, first come, first served.
& q# b9 r- ?# _0 L2 W+ _: H' M, w' ^All right, my next one. Being an Imagineer. This was the hard one. Believe me, getting to zero- \) q+ X& R" r4 i# _0 w& v
gravity is easier than becoming an Imagineer. When I was a kid, I was eight years old and our family% o3 e3 k6 d% [: c2 l9 u! k
took a trip cross-country to see Disneyland. And if you’ve ever seen the movie National Lampoon’s# U- q! B2 v [% y* m% t
Vacation, it was a lot like that! [laughter] It was a quest. [shows slides of family at Disneyland] And: i Q% e: K/ S7 T/ I+ |
these are real vintage photographs, and there I am in front of the castle. And there I am, and for
2 _# F' H4 R" N! ^; qthose of you who are into foreshadowing, this is the Alice ride. [laughter] And I just thought this was
6 x+ Q8 F- @8 l) x8 [* [just the coolest environment I had ever been in, and instead of saying, gee, I want to experience this,9 l9 {, F8 W) I% }/ d' e- r
I said, I want to make stuff like this. And so I bided my time and then I graduated with my Ph.D.
K' _$ n& t/ [+ g" Z) _from Carnegie Mellon, thinking that meant me infinitely qualified to do anything. And I dashed off
. b7 {: l g1 x5 M7 p' Jmy letters of applications to Walt Disney Imagineering, and they sent me some of the damned nicest
M3 W% q" K& lgo-to-hell letters I have ever gotten. [laughter] I mean it was just, we have carefully reviewed your# D; t/ y- W4 K- A1 j
application and presently we do not have any positions available which require your particular( \% n: f* u4 ~' }2 y
qualifications. Now think about the fact that you’re getting this from a place that’s famous for guys6 X; c% F8 h9 F6 G% ^% Y7 s! `
who sweep the street. [laughter] So that was a bit of a setback. But remember, the brick walls are
9 u; }" u# t" K8 }there for a reason. The brick walls are not there to keep us out. The brick walls are there to give us; X* _/ x0 L5 {
a chance to show how badly we want something. Because the brick walls are there to stop the. [( T4 w) n* x. K
people who don’t want it badly enough. They’re there to stop the other people.' o$ k" z. h9 }1 h4 m
All right, fast forward to 1991. We did a system back at the University of Virginia called Virtual
& S; j: v% Z r$ d8 W, U9 m- l/ K7 ~Reality on Five Dollars a Day. Just one of those unbelievable spectacular things. I was so scared
2 `5 V# }- f$ ^, U* sback in those days as a junior academic. Jim Foley’s here, and I just love to tell this story. He knew
9 ^$ b Q% e3 B; d) B/ F/ d7 tmy undergraduate advisor, Andy Van Dam, and I’m at my first conference and I’m just scared to
* U- s% x& i: Ddeath. And this icon in the user interface community walks up to me and just out of nowhere just% ~: y, I1 Y4 j; i3 W/ b) k. p" e
gives me this huge bear hug and he says, that was from Andy. And that was when I thought, ok,9 G# D$ I. m/ i. B3 n) N5 |
maybe I can make it. Maybe I do belong. And a similar story is that this was just this unbelievable
4 b5 I6 b8 ~: y. c. X2 Q, uhit because at the time, everybody needed a half a million [dollars] to do virtual reality. And
8 `4 r z. F& U3 peverybody felt frustrated. And we literally hacked together a system for about five thousand dollars& o% K. `; h. I' O
in parts and made a working VR system. And people were just like, oh my god, you know, the
% E& a& Q1 X2 b& Z( h. PHewlett Packard garage thing. This is so awesome. And so I’m giving this talk and the room has just* O6 x6 o0 R" i3 `! a! M
gone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in$ [/ N; i9 c+ p4 l7 S) T9 f
virtual reality at the time, he goes up to the microphone and he introduces himself. I didn’t know
e( j9 i! z$ g$ j; g2 \8 Twhat he looked like but I sure as hell knew the name. And he asked a question. And I was like, I’m6 _' |: ^7 `# c& `
sorry did you say you were Tom Furness? And he said yes. I said, then I would love to answer your
- ]/ Y; R% s. h' K( |question, but first, will you have lunch with me tomorrow? [laughter] And there’s a lot in that little
; U& F% _2 T5 [moment, there’s a lot of humility but also asking a person where he can’t possibly say no. [laughter]
5 _( ?% b* K; p* G" @# OAnd so Imagineering a couple of years later was working on a virtual reality project. This was top
# ^" S- w6 l1 g( [* Q; Z; Fsecret. They were denying the existence of a virtual reality attraction after the time that the* J$ ?# _: Z" P5 r, e+ t
publicity department was running the TV commercials. So Imagineering really had nailed this one
2 K3 B' |' E, O- vtight. And it was the Aladdin attraction where you would fly a magic carpet, and the head mounted
* s2 I' e% x( i% f* E0 _* g! edisplay, sometimes known as gator vision. And so I had an in. As soon as the project had just, you; Z, P; H. m* X% V/ |# |3 {
know they start running the TV commercials, and I had been asked to brief the Secretary of Defense
$ x m4 g! |$ G5 T, uon the state of virtual reality. OK, Fred Brooks and I had been asked to brief the Secretary of
! s/ a- y( R$ b2 d0 sDefense, and that gave me an excuse. So I called them. I called Imagineering and I said, look, I’m
; w L0 N2 I+ E( S! n- \1 H6 Fbriefing the Secretary of Defense. I’d like some materials on what you have because it’s one of the
9 S0 q. D7 s- L; a# ~best VR systems in the world. And they kind of pushed back. And I said, look, is all this patriotism
6 U+ a1 {: A6 Tstuff in the parks a farce? And they’re like, hmm, ok. [laughter] But they said this is so new the PR
$ l& m- @, w7 A! gdepartment doesn’t have any footage for you, so I’m going to have to connect you straight through; w) _0 g8 Z- d: I/ s1 |; }
to the team who did the work. Jackpot! So I find myself on the phone with a guy named Jon Snoddy
" o8 ^0 b0 Y5 e r) n/ Z: dwho is one of the most impressive guys I have ever met, and he was the guy running this team, and* e5 y( |& l1 y1 X
it’s not surprising they had done impressive things. And so he sent me some stuff, we talked briefly- R" d1 |9 M( ~% F' x
and he sent me some stuff, and I said, hey, I’m going to be out in the area for a conference shortly,8 I) r( h" {$ S. P: ]
would you like to get together and have lunch? Translation: I’m going to lie to you and say that I
& i" D1 c* \% J: G1 {2 Ohave an excuse to be in the area so I don’t look too anxious, but I would go to Neptune to have) ?& o$ P9 J( ^" p- \2 S0 i \
lunch with you! [laughter] And so Jon said sure, and I spent something like 80 hours talking with all9 @! x: w& S7 V: d& r
the VR experts in the world, saying if you had access to this one unbelievable project, what would$ `5 `2 T3 z5 M3 W. r+ _
you ask? And then I compiled all of that and I had to memorize it, which anybody that knows me& m2 P' j- O1 K! P! y: h
knows that I have no memory at all, because I couldn’t go in looking like a dweeb with, you know, [in
+ m1 V1 E: @/ e* ]& P2 Gdweeby voice] Hi, Question 72. So, I went in, and this was like a two hour lunch, and Jon must have" O [- c2 T, m& `
thought he was talking to some phenomenal person, because all I was doing was channeling Fred( E) c2 F( j* A5 u' l
Brooks and Ivan Sutherland and Andy Van Dam and people like that. And Henry Fuchs. So it’s pretty) O9 U \5 o! D8 ^
easy to be smart when you’re parroting smart people. And at the end of the lunch with Jon, I sort
9 h3 x8 V& H( e5 U- r4 ~8 Hof, as we say in the business, made “the ask.” And I said, you know, I have a sabbatical coming up.4 c8 Y* g- p; {& A; e: x! Z4 g: a7 o
And he said, what’s that? [laughter] The beginnings of the culture clash. And so I talked with him
. Q/ q% D' c+ T8 O, Wabout the possibility of coming there and working with him. And he said, well that’s really good5 @+ U& f" ~. N) Z4 Z- O" c
except, you know, you’re in the business of telling people stuff and we’re in the business of keeping. ]6 b$ z: f, x* J
secrets. And then what made Jon Snoddy Jon Snoddy was he said, but we’ll work it out, which I
) t0 Y$ I& i# v( }% U$ Vreally loved. The other thing that I learned from Jon Snoddy – I could do easily an hour long talk just
7 c+ d v# A* zon what have I learned from Jon Snoddy. One of the things he told me was that wait long enough5 h. Z# a. J7 Y2 C) y, L
and people will surprise and impress you. He said, when you’re pissed off at somebody and you’re
! {' p1 s9 V3 [5 ~4 pangry at them, you just haven’t given them enough time. Just give them a little more time and
5 S5 J' r3 H, l$ C" |3 p b3 Ethey’ll almost always impress you. And that really stuck with me. I think he’s absolutely right on. @) Q6 Y1 J% {/ O: A8 \ A
that one. So to make a long story short, we negotiated a legal contract. It was going to be the first –
: a4 {6 U# m, b: F' w& ~/ P! M6 K; esome people referred to it as the first and last paper ever published by Imagineering. That the deal
% k* o w# q$ {: o3 u" O; Fwas I go, I provide my own funding, I go for six months, I work with a project, we publish a paper.& l$ x9 y+ D7 S% ~; W. @: c
And then we meet our villain. [shows slide of a picture of a former dean of Randy’s] I can’t be all0 z- ~" p3 H& S: J6 k% ?
sweetness and light, because I have no credibility. Somebody’s head’s going to go on a stick. Turns1 ^$ k$ H* g9 } w" k
out that the person who gets his head on a stick is a dean back at the University of Virginia. His5 T' @" b" i% u: v
name is not important. Let’s call him Dean Wormer. [laughter] And Dean Wormer has a meeting
$ T2 j8 H0 t, O; C( Awith me where I say I want to do this sabbatical thing and I’ve actually got the Imagineering guys to
/ y# W0 Z+ W* ulet an academic in, which is insane. I mean if Jon hadn’t gone nuts, this would never have been a
2 g4 J5 S/ C% y" xpossibility. This is a very secretive organization. And Dean Wormer looks at the paperwork and he
9 {: x! E) \& v+ J8 k8 \7 Q7 x# v6 H7 Rsays, well it says they’re going to own your intellectual property. And I said, yeah, we got the
% p/ N2 Q% r) Y, O$ Fagreement to publish the paper. There is no other IP. I don’t do patentable stuff. And says, yeah,
* F/ p' F5 c3 B# O Gbut you might. And so deal’s off. Just go and get them to change that little clause there and then5 ]. v6 d! X) S8 ]
come back to me. I’m like, excuse me? And then I said to him, I want you to understand how
6 I2 V9 |# b6 E. V$ o' A3 limportant this is. If we can’t work this out, I’m going to take an unpaid leave of absence and I’m just
! \& A& ^ ^. J! F+ Ugoing to go there and I’m going to do this thing. And he said, hey, I might not even let you do that. I. ?* z( `; ^& Q$ r: |% R" o
mean you’ve got the IP in your head already and maybe they’re going to suck it out of you, so that’s/ Y2 [+ d. R" S3 k% q- ]$ y' n6 [ e$ C
not going to fly either. [laughter] It’s very important to know when you’re in a pissing match. And
2 Y0 |) Y }3 Wit’s very important to get out of it as quickly as possible. So I said to him, well, let’s back off on this.
% h l6 d: |1 X& }Do we think this is a good idea at all? He said, I have no idea if this is a good idea. I was like,
9 A2 h4 H2 w0 X% W+ d[sarcastically] OK, well we’ve got common ground there. Then I said, well is this really your call?
* D+ C: ?9 R/ ]( @! I) lIsn’t this the call of the Dean of Sponsored Research if it’s an IP issue? And he said, yeah, that’s true./ ]/ _' T7 w3 I* u
I said, but so if he’s happy you’re happy? [So he says] Yeah, then I’d be fine. Whoosh! Like Wile E.
' V3 O7 c2 [( g& c- c: n0 fCoyote, I’m gone in a big ball of dust. And I find myself in Gene Block’s office, who is the most
( M/ L6 Y0 ?: o' H; V+ j1 G3 r3 ofantastic man in the world. And I start talking to Gene Block and I say let’s start at the high level,+ t3 \" a! y& z3 O) V, i
since I don’t want to have to back out again. So let’s start at the high level. Do you think this is a
" P# k/ {; A3 p; _+ X% Cgood idea? He said, well if you’re asking me if it’s a good idea, I don’t have very much information.8 a1 q X Z% P8 ]0 u
All I know is that one of my star faculty members is in my office and he’s really excited, so tell me3 f2 \# a( x! l( \2 A' D3 ~
more. Here’s a lesson for everybody in administration. They both said the same thing. But think
" Z d- }. y# @3 y! r A8 yabout how they said it, right? [In a loud, barking voice] I don’t know! [In a pleasant voice] Well, I
# `* l4 F0 l7 a+ o/ Z5 J8 qdon’t have much information, but one of my start faculty members is here and he’s all excited so I
: x& c9 g6 U% @4 V5 d9 h/ J+ _* s mwant to learn more. They’re both ways of saying I don’t know, but boy there’s a good way and a bad
' c3 y0 x* T# I3 V- Q- Cway. So anyway, we got it all worked out. I went to Imagineering. Sweetness and light. And all’s7 m4 m+ K/ m: |& \, q
well that ends well.0 x) M0 d4 b+ g3 P
Some brick walls are made of flesh. So I worked on the Aladdin Project. It was absolutely8 a% J+ {* P! W! i& o: v
spectacular, I mean just unbelievable. Here’s my nephew Christopher. [Shows slide of Christopher
# n' Y& K8 x* p9 Hon Aladdin apparatus] This was the apparatus. You would sit on this sort of motorcycle-type thing.$ j" {% F; y/ N S; E! ~
And you would steer your magic carpet and you would put on the head-mounted display. The headmounted
@+ H, e. V2 z" K! S$ T8 ]2 s; Udisplay is very interesting because it had two parts, and it was a very clever design. To get$ r7 N: b" p! d; l+ H% `) w
throughput up, the only part that touched the guest’s head was this little cap and everything else: U8 M* Z7 f1 z: b. R
clicked onto it – all the expensive hardware. So you could replicate the caps because they were
1 I. p" N4 E2 o' [* K) E1 Z; hbasically free to manufacture. [Showing slide of Randy cleaning a cap] And this is what I really did is
6 N* k1 p" `. I# ?I was a cap cleaner during the sabbatical. [laughter] I loved Imagineering. It was just a spectacular1 w7 B R# T k
place. Just spectacular. Everything that I had dreamed. I loved the model shop. People crawling
& F) a8 S: C$ D3 h% r1 U" _around on things the size of this room that are just big physical models. It was just an incredible
: B2 O4 w+ H" v% U" v; N ^7 vplace to walk around and be inspired. I’m always reminded of when I went there and people said,
5 X/ ]8 K- A/ @1 {% ddo you think your expectations are too high? And I said, you ever see the movie Charlie and the. N& k5 K7 q: n4 U# ]( \' P
Chocolate Factory? Willy Wonka and The Chocolate Factory? Where Gene Wilder says to the little
- u& N1 i( B: kboy Charlie, he’s about to give him the chocolate factory. He says “Well Charlie, did anybody ever5 Z: N+ V% U8 A" |- L* u
tell you the story of the little boy who suddenly got everything he ever wanted?” Charlie’s eyes get% f: Y3 O* p4 F1 L9 F# [
like saucers and he says, “No, what happened to him?” Gene Wilder says, “He lived happily ever
0 [+ h. P7 l5 M* D, H+ q8 a) ^after.” [laughter]
" j3 a& J1 _ Z; R0 lOK, so working on the Aladdin VR, I described it as a once in every five careers opportunity, and I) n% T/ |" [5 Y( M
stand by that assessment. And it forever changed me. It wasn’t just that it was good work and I got
" _9 M# m% C% H! k$ u! V! b* Jto be a part of it. But it got me into the place of working with real people and real HCI user interface. |5 [. U" s0 ~+ A( k3 b) M2 o$ j
issues. Most HCI people live in this fantasy world of white collar laborers with Ph.D.s and masters
: ?. B; J$ d! W( ~( }# J" zdegrees. And you know, until you got ice cream spilled on you, you’re not doing field work. And
0 n. S. ^: K$ t7 D0 E7 W" N* `) ymore than anything else, from Jon Snoddy I learned how to put artists and engineers together, and
1 L+ U: b N* b% M% ^that’s been the real legacy.( z! `" \8 r+ H
We published a paper. Just a nice academic cultural scandal. When we wrote the paper, the guys at
9 [' `, a( ^& B ^Imagineering said, well let’s do a nice big picture. Like you would in a magazine. [Showing slide of( e7 F& F) _: t# e( B6 `, j3 D
first page of the paper, with a photo at the top that spans two columns]. And the SIGGRAPH1 ^/ o0 Y0 s) q6 i" s5 F+ K
committee, which accepted the paper, it was like this big scandal. Are they allowed to do that?/ K4 z) u2 Z+ p' ?7 L' }: |
[laughter] There was no rule! So we published the paper and amazingly since then there’s a! J/ G1 H6 \ N% r/ _# F2 p* l$ \
tradition of SIGGRAPH papers having color figures on the first page. So I’ve changed the world in a' t y# l- H" u
small way. [laughter] And then at the end of my six months, they came to me and they said, you7 n( N3 x$ C' V5 L3 |' {
want to do it for real? You can stay. And I said no. One of the only times in my life I have surprised4 O; K3 ^; @- H
my father. He was like, you’re what? He said, since you were, you know [gesturing to height of a' n. r' y. D/ D" g: F) E
child’s head],this is all you wanted, and now that you got it, and you’re… huh? There was a bottle of
' i" h: P/ [( P2 h9 p+ j7 N# O# LMaalox in my desk drawer. Be careful what you wish for. It was a particularly stressful place.
' a1 q# G4 J- }/ e+ e3 gImagineering in general is actually not so Maalox-laden, but the lab I was in – oh, Jon left in the
) [# r4 K5 r! jmiddle. And it was a lot like the Soviet Union. It was a little dicey for awhile. But it worked out OK., F. k* _1 S6 ]7 S3 o$ w- j" B
And if they had said, stay here or never walk in the building again, I would have done it. I would) f2 @. H" J4 w* C
have walked away from tenure, I would have just done it. But they made it easy on me. They said
. c4 U$ O/ w. [. V4 syou can have your cake and eat it too. And I basically became a day-a-week consultant for
- ^2 U" k! a+ z7 i$ z6 H @7 Q6 MImagineering, and I did that for about ten years. And that’s one of the reasons you should all) }9 k2 U/ s/ z5 ? U, E, b
become professors. Because you can have your cake and eat it too.
) D. D, Z- y; M. S$ c0 oI went and consulted on things like DisneyQuest. So there was the Virtual Jungle Cruise. And the0 v- t, ~1 T' a! c. t. a9 Z% l
best interactive experience I think ever done, and Jesse Schell gets the credit for this, Pirates of the
: V- [# p5 _+ I2 f) A# H( ICaribbean. Wonderful at DisneyQuest.
, j/ O4 I9 r- A* g8 G X5 QAnd so those are my childhood dreams. And that’s pretty good. I felt good about that. So then the& x' l2 L( I- O" M4 W
question becomes, how can I enable the childhood dreams of others. And again, boy am I glad I
1 S1 \- h- s( }; bbecame a professor. What better place to enable childhood dreams? Eh, maybe working at EA, I: |/ v7 H+ y ]2 H
don’t know. That’d probably be a good close second. And this started in a very concrete realization4 _! b( p6 I$ m. e, U1 H
that I could do this, because a young man named Tommy Burnett, when I was at the University of
8 @! B7 M. t8 zVirginia, came to me, was interested in joining my research group. And we talked about it, and he
0 d; v" u4 D. s- u3 _said, oh, and I have a childhood dream. It gets pretty easy to recognize them when they tell you.6 q* C& m6 D( r3 b1 S% }, A; {( K8 B. @
And I said, yes, Tommy, what is your childhood dream? He said, I want to work on the next Star7 H& f+ e" Q3 u8 L6 D6 J
Wars film. Now you got to remember the timing on this. Where is Tommy, Tommy is here today.5 `; g7 `0 r6 e# ~6 }
What year would this have been? Your sophomore year.1 r/ ?) ?# B& P/ |9 w0 Y1 ^! A" y
Tommy:7 u$ F9 r; A% _ d' `$ [
It was around ’93.
! C0 o/ o3 j2 ]1 T8 r- hRandy Pausch:# h' P2 ^; M! a3 d8 r( m. f8 L
Are you breaking anything back there young man? OK, all right, so in 1993. And I said to Tommy,$ ^+ w" W+ R" e, p
you know they’re probably not going to make those next movies. [laughter] And he said, no, THEY7 x+ m" C6 d. q/ r7 Z. L6 E& E7 v/ T
ARE. And Tommy worked with me for a number of years as an undergraduate and then as a staff; t( }5 L' [' a* N, D& S: P
member, and then I moved to Carnegie Mellon, every single member of my team came from Virginia4 u: z0 Z0 H, L
to Carnegie Mellon except for Tommy because he got a better offer. And he did indeed work on all0 P$ R1 _# u1 B5 b3 F
three of those films. And then I said, well that’s nice, but you know, one at a time is kind of
1 k% P0 ?) {1 ~& Z: g! yinefficient. And people who know me know that I’m an efficiency freak. So I said, can I do this in
+ ^& p( d: m y. x1 w, ?, Fmass? Can I get people turned in such a way that they can be turned onto their childhood dreams?5 w! G5 D. S; J
And I created a course, I came to Carnegie Mellon and I created a course called Building Virtual
- g' F% C0 \' S- N1 \# b6 U: xWorlds. It’s a very simple course. How many people here have ever been to any of the shows?
+ N" z3 }1 s% T# [$ F' r+ E- ][Some people from audience raise hands] OK, so some of you have an idea. For those of you who
/ T9 m0 c7 P* B3 r9 ~don’t, the course is very simple. There are 50 students drawn from all the different departments of* W. r9 o. y2 [% ]% e/ v( W e
the university. There are randomly chosen teams, four people per team, and they change every: Y2 J. W: X: A* h2 N0 z
project. A project only lasts two weeks, so you do something, you make something, you show
; _, n7 K7 b. P2 v2 A: Qsomething, then I shuffle the teams, you get three new playmates and you do it again. And it’s
( e$ p$ Z4 B: Pevery two weeks, and so you get five projects during the semester. The first year we taught this
" [* J" {* x" W) e! ?. Kcourse, it is impossible to describe how much of a tiger by the tail we had. I was just running the+ V: i# d. z* G$ \0 l
course because I wanted to see if we could do it. We had just learned how to do texture mapping9 V3 i# C! o- c3 b1 U
on 3D graphics, and we could make stuff that looked half decent. But you know, we were running4 l( g* J8 @" w2 y% p9 z
on really weak computers, by current standards. But I said I’ll give it a try. And at my new university) H3 H( Z4 h& o1 i# q* n4 u
[Carnegie Mellon] I made a couple of phone calls, and I said I want to cross-list this course to get all; A0 K; N# I, _; Z
these other people. And within 24 hours it was cross-listed in five departments. I love this* Q/ a. m$ t8 D3 {* a5 ^- c7 S
university. I mean it’s the most amazing place. And the kids said, well what content do we make? I$ ~$ y/ Z& G8 z+ O
said, hell, I don’t know. You make whatever you want. Two rules: no shooting violence and no. ^$ L$ i1 w; F% |
pornography. Not because I’m opposed to those in particular, but you know, that’s been done with
% T, S( J: F+ }3 |/ G. iVR, right? [laughter] And you’d be amazed how many 19-year-old boys are completely out of ideas7 v/ k3 `0 U. k
when you take those off the table. [laughter and clapping]& _# V6 Q8 O) S+ \) ^9 P
Anyway, so I taught the course. The first assignment, I gave it to them, they came back in two- M/ ` ~! A& _% n1 b) v* z- j" L
weeks and they just blew me away. I mean the work was so beyond, literally, my imagination,
2 u: v4 S: o0 l1 hbecause I had copied the process from Imagineering’s VR lab, but I had no idea what they could or
, _" o. i- ^/ j4 \- ?couldn’t do with it as undergraduates, and their tools were weaker, and they came back on the first/ Q# i) S1 F P
assignment, and they did something that was so spectacular that I literally didn’t, ten years as a/ t9 w: F7 [6 W2 U2 T4 c/ _
professor and I had no idea what to do next. So I called up my mentor, and I called up Andy Van
5 E; O$ |- b2 W: E& S. mDam. And I said, Andy, I just gave a two-week assignment, and they came back and did stuff that if I3 X4 [% r4 }6 @) r# ]6 U- Z
had given them a whole semester I would have given them all As. Sensei, what do I do? [laughter]
( j+ k3 v t& Z& j+ {And Andy thought for a minute and he said, you go back into class tomorrow and you look them in6 f# c9 i; G8 ^8 }) C9 T
the eye and you say, “Guys, that was pretty good, but I know you can do better.” [laughter] And that
) K/ a! [! ]' t: d$ C \5 iwas exactly the right advice. Because what he said was, you obviously don’t know where the bar
: d2 Z8 o4 M+ e2 \% Lshould be, and you’re only going to do them a disservice by putting it anywhere. And boy was that/ F& W3 X; n+ a( j
good advice because they just kept going. And during that semester it became this underground+ u1 p' c1 ?) g b- v9 s( y0 C
thing. I’d walk into a class with 50 students in it and there were 95 people in the room. Because it
% W6 H8 V5 q: z) |0 [& `/ K% Xwas the day we were showing work. And people’s roommates and friends and parents – I’d never+ G) C; o6 ^. P; e: e b" S
had parents come to class before! It was flattering and somewhat scary. And so it snowballed and4 p4 l+ u9 \% J. \' K6 D
we had this bizarre thing of, well we’ve got to share this. If there’s anything I’ve been raised to do,
y" T9 t* K, A- Zit’s to share, and I said, we’ve got to show this at the end of the semester. We’ve got to have a big
7 |8 v2 Y8 v6 Yshow. And we booked this room, McConomy. I have a lot of good memories in this room. And we3 ]' ^7 A, u) K7 @+ W+ @% Q2 H
booked it not because we thought we could fill it, but because it had the only AV setup that would) _9 u- Q" s# E1 ]' G, J+ L
work, because this was a zoo. Computers and everything. And then we filled it. And we more than
( |& @ }/ M$ O! R* efilled it. We had people standing in the aisle. I will never forget the dean at the time, Jim Morris9 G: a$ i% M9 \7 R
was sitting on the stage right about there. We had to kind of scoot him out of the way. And the
4 }4 H4 k; x) y& ^ t8 G* d# Cenergy in the room was like nothing I had ever experienced before. And President Cohen, Jerry
3 E' ], V$ q* b% ECohen was there, and he sensed the same thing. He later described it as like an Ohio State football
' @, ?: l x, b) ~8 c: }0 Lpep rally. Except for academics. And he came over and he asked exactly the right question. He+ [2 } W- g/ E* A! |
said, before you start, he said, where are these people from? He said, the audience, what
) @5 {+ f; h! mdepartments are they from? And we polled them and it was all the departments. And I felt very' p: g) h- M& d( R! I
good because I had just come to campus, he had just come to campus, and my new boss had seen in
2 _% ~, P) E7 D+ A' ]a very corporal way that this is the university that puts everybody together. And that made me feel
' L" t* |2 b0 y5 W; g5 U3 D5 hjust tremendous.
# U5 E- G# d6 t# u8 \So we did this campus-wide exhibition. People performed down here. They’re in costume, and we
, o: Y9 n, {$ E5 ^$ F9 W% kproject just like this and you can see what’s going on. You can see what they’re seeing in the head
% w! A4 O/ `3 N/ f5 h9 kmount. There’s a lot of big props, so there’s a guy white water rafting. [shows slides of a BVW show]
* ^& K6 U6 L4 p1 w9 E' QThis is Ben in E.T. And yes, I did tell them if they didn’t do the shot of the kids biking across the% t5 w2 G8 c5 Q
moon I would fail him. That is a true story. And I thought I’d show you just one world, and if we can
, |; }% n: M& ~( c$ a+ Uget the lights down if that’s at all possible. No, ok, that means no. All right. All right we’ll just do
M' Q8 b6 p( |) m) h9 I: Your best then. [Shows “Hello.world” world done in the BVW class, audience applauds at the end.] It
7 m9 s# J. W9 d5 D# P7 r! gwas an unusual course. With some of the most brilliant, creative students from all across the
: b! J8 j! ]; F1 fcampus. It just was a joy to be involved. And they took the whole stage performance aspect of this% `2 K c# e& e) n6 ]! t
way too seriously [shows pictures of very strange costumes students wore]. And it became this' N1 K9 c( l' V2 q
campus phenomenon every year. People would line up for it. It was very flattering. And it gave kids3 R! Y( i+ r. s
a sense of excitement of putting on a show for people who were excited about it. And I think that. ~! A- o, t W# s% Q
that’s one of the best things you can give somebody – the chance to show them what it feels like to
2 `9 Y3 w" n$ z" z# ^' _% [make other people get excited and happy. I mean that’s a tremendous gift. We always try to
6 p3 V4 g% R9 S; t6 `+ oinvolve the audience. Whether it was people with glow sticks or batting a beach ball around… or! y! R% E2 a0 L; ?7 V: ~3 V e
driving [shows photo of audience members leaning in their seats to steer a car]. This is really cool.
6 y2 u( b. ?! HThis technology actually got used at the Spiderman 3 premiere in L.A., so the audience was9 n7 v1 A5 b5 C
controlling something on the screen, so that’s kind of nice. And I don’t have a class picture from- R, [4 k1 n. {+ `
every year, but I dredged all the ones that I do have, and all I can say is that what a privilege and an# ?0 D; w7 l. r/ R
honor it was to teach that course for something like ten years.- S* Q* D8 \ L, m) X M9 ?# H
And all good things come to an end. And I stopped teaching that course about a year ago. People
% k" R( ]# Q" \2 G4 ?$ |3 t! Malways ask me what was my favorite moment. I don’t know if you could have a favorite moment.
5 V' N6 W7 H9 a; z0 \But boy there is one I’ll never forget. This was a world with, I believe a roller skating ninja. And one* ]# p6 r3 ~1 U" a
of the rules was that we perform these things live and they all had to really work. And the moment0 o, H& k% F) P5 R
it stopped working, we went to your backup videotape. And this was very embarrassing. [Shows _8 R% q' g( q% ~4 z% M% t! Y( p# W
image of Roller Ninja world presentation] So we have this ninja on stage and he’s doing this roller Q& `6 M4 @6 A) \8 ^
skating thing and the world, it did not crash gently. Whoosh. And I come out, and I believe it was2 @' o- }" T" K4 Q/ j! Q
Steve, Audia, wasn’t it? Where is he? OK, where is Steve? Ah, my man. Steve Audia. And talk
9 c8 r- p2 u: G4 E7 M( T% [- Dabout quick on your feet. I say, Steve, I’m sorry but your world has crashed and we’re going to go to' B5 H% X% c. u8 L) Q: n+ P
videotape. And he pulls out his ninja sword and says, I am dishonored! Whaaa! And just drops!9 {$ [( V/ U, F9 B& I
[applause and laughter] And so I think it’s very telling that my very favorite moment in ten years of
! J0 }# O v. ]3 p( rthis high technology course was a brilliant ad lib. And then when the videotape is done and the* t, p+ f0 Z- M' z/ I+ H
lights come up, he’s lying there lifeless and his teammates drag him off! [laughter] It really was a6 w3 J3 F7 f) w# z! s" r6 C
fantastic moment.
3 E/ Z( K/ R+ U# d1 J+ pAnd the course was all about bonding. People used to say, you know, what’s going to make for a% J8 L1 J* K$ ?4 o# g4 E( U
good world? I said, I can’t tell you beforehand, but right before they present it I can tell you if the
8 k3 w2 q; N% B c9 N. u1 yworld’s good just by the body language. If they’re standing close to each other, the world is good./ ~0 [/ q5 Q$ e) P% u# \4 n/ b! M
And BVW was a pioneering course [Randy puts on vest with arrows poking out of the back], and I/ z" U `- h% J. h6 e
won’t bore you with all the details, but it wasn’t easy to do, and I was given this when I stepped7 s3 j/ H& G2 a8 L
down from the ETC and I think it’s emblematic. If you’re going to do anything that pioneering you% y& m0 f" }' `
will get those arrows in the back, and you just have to put up with it. I mean everything that could
5 u. `( i6 c; Ogo wrong did go wrong. But at the end of the day, a whole lot of people had a whole lot of fun. b& S% ~( d" b
When you’ve had something for ten years that you hold so precious, it’s the toughest thing in the
& ]! k! B9 G! N* Z4 Sworld to hand it over. And the only advice I can give you is, find somebody better than you to hand
% o; [2 y1 X. j1 C3 m9 uit to. And that’s what I did. There was this kid at the VR studios way back when, and you didn’t have& i& |5 Q' o6 p2 k, ^' }
to spend very long in Jesse Schell’s orbit to go, the force is strong in this one. And one of my
6 s% t/ E) P7 {9 V, Y4 D; h `2 ?greatest – my two greatest accomplishments I think for Carnegie Mellon was that I got Jessica
+ d, E+ ~9 g* D7 {7 ?2 ], ~* N5 yHodgins and Jesse Schell to come here and join our faculty. And I was thrilled when I could hand this, p( c+ s3 C/ R: L9 a
over to Jesse, and to no one’s surprise, he has really taken it up to the next notch. And the course is
& [: U' O i: P' oin more than good hands – it’s in better hands. But it was just one course. And then we really took: t1 Z7 W G9 `
it up a notch. And we created what I would call the dream fulfillment factory. Don Marinelli and I
% N: l t+ A4 @& M% y+ G: kgot together and with the university’s blessing and encouragement, we made this thing out of whole* ~! d% F; _7 H" x
cloth that was absolutely insane. Should never have been tried. All the sane universities didn’t go( }& ~% f3 V2 u& E4 T- R* z3 L, q
near this kind of stuff. Creating a tremendous opportunistic void. So the Entertainment Technology: y5 E# k/ a8 @3 F/ H- s6 J4 t
Center was all about artists and technologists working in small teams to make things. It was a twoyear' k* y3 k/ P, t. z6 j+ I
professional master’s degree. And Don and I were two kindred spirits. We’re very different –
2 a1 h) I1 W5 ~% k( y# ~anybody who knows us knows that we are very different people. And we liked to do things in a new
/ t4 u/ p' \$ `8 g3 b% T( pway, and the truth of the matter is that we are both a little uncomfortable in academia. I used to1 G7 v, @2 U7 V7 [5 `1 T
say that I am uncomfortable as an academic because I come from a long line of people who actually
1 h! ?; p* `! @* H# k0 l3 a9 Aworked for a living, so. [Nervous laughter] I detect nervous laughter! And I want to stress, Carnegie
+ d- V9 u+ n9 wMellon is the only place in the world that the ETC could have happened. By far the only place.
$ @7 }, }" y b5 k[Shows slide of Don Marinelli in tye-dyed shirt, shades and an electric guitar, sitting on a desk next! y' ?. x1 ~, N
to Randy, wearing nerd glasses, button-up shirt, staring at a laptop. Above their heads were the5 Z8 u0 O1 p6 c& b2 T; m
labels “Right brain/Left brain”] [laughter] OK, this picture was Don’s idea, OK? And we like to refer
5 W1 E0 I) Q. p0 a: A1 Cto this picture as Don Marinelli on guitar and Randy Pausch on keyboards. [laughter] But we really
. Q0 s! t$ J& Vdid play up the left brain, right brain and it worked out really well that way. [Shows slide of Don% a) y7 q9 k7 K; T* b3 C0 I3 l- i
looking intense] Don is an intense guy. And Don and I shared an office, and at first it was a small7 E$ _4 V) @5 k( [ z( |
office. We shared an office for six years. You know, those of you who know Don know he’s an
( D7 y) d8 f9 G5 m3 [ d' aintense guy. And you know, given my current condition, somebody was asking me … this is a1 `3 ^8 j& v3 i1 U
terrible joke, but I’m going to use it anyway. Because I know Don will forgive me. Somebody said,* n v, m5 C! c% {/ h. R
given your current condition, have you thought about whether you’re going to go to heaven or hell?
9 M2 w/ p# n6 ^And I said, I don’t know, but if I’m going to hell, I’m due six years for time served! [laughter] I kid.
F1 [- j/ c! Z! Z! @6 y. RSharing an office with Don was really like sharing an office with a tornado. There was just so much$ n7 J" c/ i( p- F3 [5 F
energy and you never knew which trailer was next, right? But you know something exciting was# n8 Z' v' L( f6 |3 @. U) k$ N( `
going to happen. And there was so much energy, and I do believe in giving credit where credit is
c; W) T- \# q+ Wdue. So in my typically visual way, if Don and I were to split the success for the ETC, he clearly gets
3 O9 z( ]6 P4 a6 p [0 F+ U* @9 a0 Ythe lion’s share of it. [Shows image of a pie chart divided 70/30 (Don/Randy) ] He did the lion’s share' t( L, Z4 p' \0 S4 a* }. \5 V
of the work, ok, he had the lion’s share of the ideas. It was a great teamwork. I think it was a great
4 d+ A0 l9 ~0 A& Q5 q. p& \yin and a yang, but it was more like YIN and yang. And he deserves that credit and I give it to him
, D8 q* s+ v# M! f* Cbecause the ETC is a wonderful place. And he’s now running it and he’s taking it global. We’ll talk4 z. u a, O2 x) G, P; R* J
about that in a second." [' _8 q' \% @ I5 X( A. W
Describing the ETC is really hard, and I finally found a metaphor. Telling people about the ETC is like
5 h$ O- H# T4 y- mdescribing Cirque du Soleil if they’ve never seen it. Sooner or later you’re going to make the/ o/ e/ ?8 y6 H9 H/ G
mistake. You’re going to say, well it’s like a circus. And then you’re dragged into this conversation
! z( J }! y" t# G' }( Uabout oh, how many tigers, how many lions, how many trapeze acts? And that misses the whole
. W( V1 g5 ?/ q- ipoint. So when we say we’re a master’s degree, we’re really not like any master’s degree you’ve2 C1 g& K# O: y
ever seen. Here’s the curriculum [Shows slide of ETC curriculum, listing “Project Course” as the only
7 X1 H( Q7 @. M" g& G# Fcourse each semester; audience laughs] The curriculum ended up looking like this. [shows slightly
0 p: M2 R" |; Amore detailed slide]. All I want to do is visually communicate to you that you do five projects in0 L6 s" u# I5 r" `* B& V" C
Building Virtual Worlds, then you do three more. All of your time is spent in small teams making
; @( G" f) a* A+ r9 Tstuff. None of that book learning thing. Don and I had no patience for the book learning thing. It’s
' N) A9 o2 E2 {a master’s degree. They already spent four years doing book learning. By now they should have
) b- v5 ~0 k5 ?0 z) gread all the books./ ?( }4 N3 ?& n+ W% G5 \
The keys to success were that Carnegie Mellon gave us the reins. Completely gave us the reins. We
6 n8 v! F% @0 d' N" ^6 phad no deans to report to. We reported directly to the provost, which is great because the provost$ J: q+ p* u" j' R7 s' N
is way too busy to watch you carefully. [laughter] We were given explicit license to break the mold.
S! b5 Z& G$ C+ _& G) ]- m6 O4 j( I. M! SIt was all project based. It was intense, it was fun, and we took field trips! Every spring semester in
. C1 y( e! g& _" T5 Y" O: x- ?January, we took all 50 students in the first year class and we’d take them out to Pixar, Industrial
2 D! D: f1 m+ cLight and Magic, and of course when you’ve got guys like Tommy there acting as host, right, it’s7 o4 K4 D% T4 y: R- u
pretty easy to get entrée to these places. So we did things very, very differently. The kind of0 C9 N) c1 |/ l( P* c" w2 k) {
projects students would do, we did a lot of what we’d call edutainment.
; Y2 u2 y1 }/ @: lWe developed a bunch of things with the Fire Department of New York, a network simulator for
* ^! ]2 P+ X# W& Ftraining firefighters, using video game-ish type technology to teach people useful things. That’s not* l/ g2 G8 I/ L" @
bad. Companies did this strange thing. They put in writing, we promise to hire your students. I’ve
/ L! Z: N# R7 _4 d5 J3 xgot the EA and Activision ones here. I think there are now, how many, five? Drew knows I bet.
1 p! c+ U0 |2 I2 ^& R[Drew Davison, head of ETC-Pittsburgh, gestures with five fingers]. So there are five written% Q) v$ H( D: h) I' d2 a4 f& f
agreements. I don’t know of any other school that has this kind of written agreement with any
! [1 y: v' z4 i6 Xcompany. And so that’s a real statement. And these are multiple year things, so they’re agreeing to
' b2 |, U9 }* w: H( B+ rhire people for summer internships that we have not admitted yet. That’s a pretty strong statement
4 n! |7 {8 l; p6 [+ t4 s! Gabout the quality of the program. And Don, as I said, he’s now, he’s crazy. In a wonderful
" r$ T* H [) c. Ccomplimentary way. He’s doing these things where I’m like, oh my god. He’s not here tonight+ H' m4 i0 w6 M3 l# ~
because he’s in Singapore because there’s going to be an ETC campus in Singapore. There’s already
2 n3 W% |( t8 Y, gon in Australia and there’s going to be on in Korea. So this is becoming a global phenomenon. So I4 p: z: P1 h( s, K! J7 k
think this really speaks volumes about all the other universities. It’s really true that Carnegie Mellon
: w8 _% A& F5 d0 Z9 ~ @2 ~is the only university that can do this. We just have to do it all over the world now.
; @" h+ S2 d" Q7 ^ qOne other big success about the ETC is teaching people about feedback [puts up bar chart where
, W# ~/ y, x2 c3 F5 Sstudents are (anonymous) listed on a scale labeled “how easy to work with” ] -- oh I hear the0 i+ h9 h" }8 W. a- m3 a3 M
nervous laughter from the students. I had forgotten the delayed shock therapy effect of these bar. d6 S5 w$ }' p+ Q/ V" E( O
charts. When you’re taking Building Virtual Worlds, every two weeks we get peer feedback. We put
9 H" ^( P0 E% m' v9 x5 othat all into a big spreadsheet and at the end of the semester, you had three teammates per project,
# m) H- F6 w7 r- {five projects, that’s 15 data points, that’s statistically valid. And you get a bar chart telling you on a
4 h- W) l- j2 n$ \* d% ~2 E4 granking of how easy you are to work with, where you stacked up against your peers. Boy that’s hard
Z2 N2 `5 |9 ~feedback to ignore. Some still managed. [laughter] But for the most part, people looked at that and' A" `( `1 s: p4 F, B4 g8 Q
went, wow, I’ve got to take it up a notch. I better start thinking about what I’m saying to people in$ q& s- T& ~3 |' O
these meetings. And that is the best gift an educator can give is to get somebody to become self
, z* U* q8 T4 T, S& Wreflective.3 C* G; ?9 E$ c! W0 O) i8 H
So the ETC was wonderful, but even the ETC and even as Don scales it around the globe, it’s still very4 I5 [: f+ X5 O1 Y8 C9 y& F' [7 |7 @
labor intensive, you know. It’s not Tommy one-at-a-time. It’s not a research group ten at a time.
: G/ Y1 _& r" W. v( GIt’s 50 or 100 at a time per campus times four campuses. But I wanted something infinitely scalable.
, I' U" ?+ l8 W E4 F3 aScalable to the point where millions or tens of millions of people could chase their dreams with
& O: e2 g, @5 g a2 Isomething. And you know, I guess that kind of a goal really does make me the Mad Hatter. [Puts on% {8 P% q% e \ d7 E9 Z5 X& n* D, Q4 d
a Mad Hatter’s green top hat]. So Alice is a project that we worked on for a long, long time. It’s a# Y+ k- v" Q: y& D% R
novel way to teach computer programming. Kids make movies and games. The head fake – again,
! d+ r, ?& M8 E+ ^& g8 Y$ f* ?7 rwe’re back to the head fakes. The best way to teach somebody something is to have them think. R+ G+ ?6 P! [3 J) m; W! v
they’re learning something else. I’ve done it my whole career. And the head fake here is that
* L. H# K' U: X" a1 M2 y3 _; uthey’re learning to program but they just think they’re making movies and video games. This thing! s4 k: O* l+ G6 z1 o
has already been downloaded well over a million times. There are eight textbooks that have been
4 ^: C5 n0 J" {written about it. Ten percent of U.S. colleges are using it now. And it’s not the good stuff yet. The
1 y' @# |' Y1 @good stuff is coming in the next version. I, like Moses, get to see the promised land, but I won’t get2 S E3 C+ R& K& g5 |8 c
to set foot in it. And that’s OK, because I can see it. And the vision is clear. Millions of kids having0 ~2 v- F- D2 l; C' n
fun while learning something hard. That’s pretty cool. I can deal with that as a legacy. The next# [' `4 O# f- |) m
version’s going to come out in 2008. It’s going to be teaching the Java language if you want them to! h4 N! X0 y9 d$ N
know they’re learning Java. Otherwise they’ll just think that they’re writing movie scripts. And" K. S( @5 u4 B
we’re getting the characters from the bestselling PC video game in history, The Sims. And this is' K/ _% o, B7 w$ |
already working in the lab, so there’s no real technological risk. I don’t have time to thank and7 i* ^; P9 M" d' [
mention everybody in the Alice team, but I just want to say that Dennis Cosgrove is going to be
/ m) V1 y! b* E+ ?/ R' A/ x. |building this, has been building this. He is the designer. This is his baby. And for those of you who
& ?$ O n4 A$ B: Pare wondering, well, in some number of months who should I be emailing about the Alice project,
8 e. k/ K; d! I+ y+ x5 S3 @where’s Wanda Dann? Oh, there you are. Stand up, let them all see you. Everybody say, Hi Wanda.! d0 W3 s( ]2 y" n! Q3 _9 X6 c8 g
Audience:
5 |* L$ x+ T7 Q8 S, A3 iHi, Wanda.) b& n1 q1 i# R+ J
Randy Pausch:$ y. ]& j& b1 I( H( P
Send her the email. And I’ll talk a little bit more about Caitlin Kelleher, but she’s graduated with her
- `) ~. A, A2 p: sPh.D., and she’s at Washington University, and she’s going to be taking this up a notch and going to
7 A" I) {" h: B" I& Emiddle schools with it. So, grand vision and to the extent that you can live on in something, I will
8 O5 y- o+ b( p/ [+ X& F# Olive on in Alice.
# b+ ]4 U/ j7 IAll right, so now the third part of the talk. Lessons learned. We’ve talked about my dreams. We’ve
. Q6 Z! l7 Y% \1 @talked about helping other people enable their dreams. Somewhere along the way there’s got to be. W- w: p" U% |2 p4 p2 k
some aspect of what lets you get to achieve your dreams. First one is the rule of parents, mentors
" ?* h7 L3 ~% Kand students. I was blessed to have been born to two incredible people. This is my mother on her
& f( y7 C- ]( a70th birthday. [Shows slide of Randy’s mom driving a race car on an amusement park race course]2 Y$ b) A/ a4 e" C" ^ z3 w9 T; B& H
[laughter] I am back here. I have just been lapped. [laughter] This is my dad riding a roller coaster% e: ~$ `) v, i5 Z' Z( Z
on his 80th birthday. [Shows slide of dad] And he points out that he’s not only brave, he’s talented
7 q1 z2 P3 K6 B5 j( u% |because he did win that big bear the same day. My dad was so full of life, anything with him was an* F" d) D# s2 D! {
adventure. [Shows picture of his Dad holding a brown paper bag.] I don’t know what’s in that bag,) _0 A }6 H9 T! ~
but I know it’s cool. My dad dressed up as Santa Claus, but he also did very, very significant things3 I) b d) P3 N. [9 h8 o
to help lots of people. This is a dormitory in Thailand that my mom and dad underwrote. And every
4 R# P2 a* f" u9 E2 Ryear about 30 students get to go to school who wouldn’t have otherwise. This is something my wife
! g# f' t$ c2 a1 O" band I have also been involved in heavily. And these are the kind of things that I think everybody* {/ y% E# d# h% r' d. j
ought to be doing. Helping others.
! C( q" _* R/ o# c2 s0 f4 L# rBut the best story I have about my dad – unfortunately my dad passed away a little over a year ago
! ^4 ]8 Q+ V- }$ V) P– and when we were going through his things, he had fought in World War II in the Battle of the
2 `9 e3 D, y" W0 l# k7 eBulge, and when we were going through his things, we found out he had been awarded the Bronze% y* ?% d- Y9 R1 y1 l9 D' H8 ~+ G+ e
Star for Valor. My mom didn’t know it. In 50 years of marriage it had just never come up.
2 L7 U6 ?0 t( H+ [; P6 r' qMy mom. [Shows picture of Randy as a young child, pulling his Mom’s hair]. Mothers are people" Y) S# L# H) x4 U
who love even when you pull their hair. And I have two great mom stories. When I was here* d% k+ g! w; p9 ]
studying to get my Ph.D. and I was taking something called the theory qualifier, which I can
( p! A) [- z; Ydefinitively say is the second worst thing in my life after chemotherapy. [laughter] And I was: ?6 p( ^' z7 Y6 A+ g; S3 E
complaining to my mother about how hard this test was and how awful it was, and she just leaned, \' S. ~( y% j. }
over and she patted me on the arm and she said, we know how you feel honey, and remember when
6 g$ Q3 |" u% ]- W. X: c8 myour father was your age he was fighting the Germans. [laugher] After I got my Ph.D., my mother
5 d' s/ S5 u S5 r2 C; _: z7 vtook great relish in introducing me as, this is my son, he’s a doctor but not the kind that helps people.
, Z) V# D; I! z W8 s* d3 V. M( v[laughter] These slides are a little bit dark [meaning “hard to see”], but when I was in high school I) x' d% l: A3 w! L0 c: _3 Z
decided to paint my bedroom. [shows slides of bedroom] I always wanted a submarine and an
6 w: a6 {- q$ e: N1 x: qelevator. And the great thing about this [shows slide of quadratic formula painted on wall]1 w, m% g5 s" R
[interrupted by laughter] – what can I say? And the great thing about this is they let me do it. And3 H* \+ P E3 r/ g0 g @
they didn’t get upset about it. And it’s still there. If you go to my parent’s house it’s still there. And
8 {4 t/ p% ?8 @) |* Y5 sanybody who is out there who is a parent, if your kids want to paint their bedroom, as a favor to me
: b7 V+ N1 G1 k5 Y) Xlet them do it. It’ll be OK. Don’t worry about resale value on the house.3 C/ I8 u+ E$ l; B
Other people who help us besides our parents: our teachers, our mentors, our friends, our' P. P% }6 b7 H7 Z
colleagues. God, what is there to say about Andy Van Dam? When I was a freshman at Brown, he
# g9 n* X4 J: U W, d- Ewas on leave. And all I heard about was this Andy Van Dam. He was like a mythical creature. Like a! D4 j0 x& }3 S \ ~# J" Z
centaur, but like a really pissed off centaur. And everybody was like really sad that he was gone, but3 \: }3 P& H# W$ q4 W& u5 x& h
kind of more relaxed? And I found out why. Because I started working for Andy. I was a teaching+ {+ Q4 \/ ^" ?; m! }! |( j- y
assistant for him as a sophomore. And I was quite an arrogant young man. And I came in to some* ]( {+ c! ]" M; H8 l+ C
office hours and of course it was nine o’clock at night and Andy was there at office hours, which is5 K! a1 D1 p( U
your first clue as to what kind of professor he was. And I come bounding in and you know, I’m just
* R8 c2 P* Q- w8 e& Z' LI’m going to save the world. There’re all these kids waiting for help, da da, da da, da da, da da, da
' A" ?. U& b- u$ [; A7 }da. And afterwards, Andy literally Dutch-uncled – he’s Dutch, right? He Dutch-uncled me. And he
( S- h' S/ |$ v$ N8 ~$ O! m2 \2 }put his arm around my shoulders and we went for a little walk and he said, Randy, it’s such a shame
$ V' k! u1 D7 }4 g+ |! V* xthat people perceive you as so arrogant. Because it’s going to limit what you’re going to be able to
/ G1 Q! l0 O$ r7 oaccomplish in life. What a hell of a way to word “you’re being a jerk.” [laughter] Right? He doesn’t; ~1 l B- l4 U7 E( a$ }' Z
say you’re a jerk. He says people are perceiving you this way and he says the downside is it’s going! ]- J! i, N" y" Y# `" H
to limit what you’re going to be able to accomplish.
. `6 o6 T0 v/ w2 ~* V, e9 k( iWhen I got to know Andy better, the beatings became more direct, but. [laughter] I could tell you
; |* Q3 n; x+ h- l% t3 \2 UAndy stories for a month, but the one I will tell you is that when it came time to start thinking about! C3 {/ x% D0 k3 Y, k
what to do about graduating from Brown, it had never occurred to me in a million years to go to$ e! U; V* v7 o
graduate school. Just out of my imagination. It wasn’t the kind of thing people from my family did.
( w1 ]# e9 i5 }; J. P# r( i uWe got, say, what do you call them? …. jobs. And Andy said, no, don’t go do that. Go get a Ph.D.1 p5 h; x- L, X3 t4 h2 y
Become a professor. And I said, why? And he said, because you’re such a good salesman that any9 ~# w8 d* {- [; ]" M
company that gets you is going to use you as a salesman. And you might as well be selling6 |! h" W' X# g
something worthwhile like education. [long pause, looks directly at Andy van Dam] Thanks.
! i) w4 m, D) y/ \$ u4 RAndy was my first boss, so to speak. I was lucky enough to have a lot of bosses. [shows slide of# G/ _/ ?: d1 ~: U& ]1 p6 }# h" x
various bosses] That red circle is way off. Al is over here. [laughter] I don’t know what the hell
" j4 Q+ R$ D# D' M e4 Ihappened there. He’s probably watching this on the webcast going, my god he’s targeting and he* `( G2 B3 A0 Y1 `* ~7 P
still can’t aim! [laughter] I don’t want to say much about the great bosses I’ve had except that they
+ x* S& {; ?, G' `5 B* J A; p/ jwere great. And I know a lot of people in the world that have had bad bosses, and I haven’t had to
% C7 D3 `8 `- r/ }+ P; j: k0 A) uendure that experience and I’m very grateful to all the people that I ever had to have worked for.9 D, r C: d4 u
They have just been incredible.
7 X2 _" C% Q# e! R! }' D1 NBut it’s not just our bosses, we learn from our students. I think the best head fake of all time comes! ^9 I% J+ o6 \3 v# E7 @& v
from Caitlin Kelleher. Excuse me, Doctor Caitlin Kelleher, who just finished up here and is starting at
9 x( i2 M- M. S* ?$ ]( X# V. }Washington University, and she looked at Alice when it was an easier way to learn to program, and
[# I2 L4 o4 @she said, yeah, but why is that fun? I was like, ‘cause uh, I’m a compulsive male…I like to make the/ z2 y0 b' ^6 w- T% }8 ?
little toy soldiers move around by my command, and that’s fun. She’s like, hmm. And she was the
9 N6 P, u! _& P1 ]7 Z5 |6 X5 Rone who said, no, we’ll just approach it all as a storytelling activity. And she’s done wonderful work
* b/ g& ]6 J n& Fshowing that, particularly with middle school girls, if you present it as a storytelling activity, they’re% ^/ [3 K. `- y2 L2 Q" M& Y
P a u s c h P a g e | 19
$ [+ T# Z8 ?' A# E( {perfectly willing to learn how to write computer software. So all-time best head fake award goes to9 i, i2 R) z) i' E5 a) t; {
Caitlin Kelleher’s dissertation.
- W; H$ p: N+ K- WPresident Cohen, when I told him I was going to do this talk, he said, please tell them about having
5 B) G8 a# X) Q$ _fun, because that’s what I remember you for. And I said, I can do that, but it’s kind of like a fish+ |8 N1 J& H8 ], ?# q% r& m8 Y
talking about the importance of water. I mean I don’t know how to not have fun. I’m dying and I’m$ Y% y: g( f" l1 p/ f, n
having fun. And I’m going to keep having fun every day I have left. Because there’s no other way to" D7 `, x4 `& O# ?, ^' A, {
play it.( A- P) O% T. C: @; L: P' U P
So my next piece of advice is, you just have to decide if you’re a Tigger or and Eeyore. [shows slide6 v4 T4 s. ~" ?4 {9 I9 Y& \
with an image of Tigger and Eeyore with the phrase “Decide if you’re Tigger or Eeyore”] I think I’m
/ x' A/ N2 |& U% g/ o' n; sclear where I stand on the great Tigger/Eeyore debate. [laughter] Never lose the childlike wonder.
$ v& D# ?( G9 Y% RIt’s just too important. It’s what drives us. Help others. Denny Proffitt knows more about helping
; r: A# ?* l2 I' Z+ n- i- |other people. He’s forgotten more than I’ll ever know. He’s taught me by example how to run a: j- N$ s8 S# {+ }; H! ^1 A" d: u
group, how to care about people. M.K. Haley – I have a theory that people who come from large" q( f/ E; s/ ^, z: p
families are better people because they’ve just had to learn to get along. M.K. Haley comes from a
" b) p: R9 I1 n% A) Zfamily with 20 kids. [audience collectively “aaahs”] Yeah. Unbelievable. And she always says it’s7 q' m- H+ R; v0 U
kind of fun to do the impossible. When I first got to Imagineering, she was one of the people who% h7 b9 }1 M" j* j4 q
dressed me down, and she said, I understand you’ve joined the Aladdin Project. What can you do?3 U; A+ _0 C2 m3 B! j7 W5 W2 P* p* s) b
And I said, well I’m a tenured professor of computer science. And she said, well that’s very nice5 t: x/ O2 u- T
Professor Boy, but that’s not what I asked. I said what can you do? [laughter]1 G3 U6 L' ^; m/ U8 ^% R) s! Z8 \
And you know I mentioned sort of my working class roots. We keep what is valuable to us, what we
4 ^; i: e5 x- I, d- \cherish. And I’ve kept my [high school] letterman’s jacket all these years. [Puts on letterman’s# p' x- q1 }+ w* P2 C: D" C O
jacket] I used to like wearing it in grad school, and one of my friends, Jessica Hodgins would say, why
7 J6 e/ C6 y* ^4 r2 P/ `) A% Ldo you wear this letterman’s jacket? And I looked around at all the non-athletic guys around me
3 k% P2 o7 Y2 k4 g' k: C0 C0 b2 _, ^who were much smarter than me. And I said, because I can. [laughter] And so she thought that was
7 j, @9 t( h2 x) f' Q8 w) La real hoot so one year she made for me this little Raggedy Randy doll. [takes out Raggedy Randy]) |+ ?, C5 G; C% |
[laughter] He’s got a little letterman’s jacket too. That’s my all-time favorite. It’s the perfect gift for
0 g2 S# W7 u! Y$ \the egomaniac in your life. So, I’ve met so many wonderful people along the way.1 g1 Y: c# D- [, c7 q3 p
Loyalty is a two way street. There was a young man named Dennis Cosgrove at the University of: W- J2 ?3 S2 m1 d* @' _, e- {
Virginia, and when he was a young man, let’s just say things happened. And I found myself talking
( G8 k1 }% Z2 p* W; Qto a dean. No, not that dean. And anyway, this dean really had it in for Dennis, and I could never3 G2 c7 j/ M# e2 w- p
figure out why because Dennis was a fine fellow. But for some reason this Dean really had it in for
0 ] p" X9 ?9 u0 @+ Thim. And I ended up basically saying, no, I vouch for Dennis. And the guy says, you’re not even Q% b* Q( O" s2 @1 u
tenured yet and you’re telling me you’re going to vouch for this sophomore or junior or whatever? I% v8 s& W0 j/ L
think he was a junior at the time. I said, yeah, I’m going to vouch for him because I believe in him.
6 Z4 O, h# h4 g2 F( Z. U" KAnd the dean said, and I’m going to remember this when your tenure case comes up. And I said,
: m- ~- F0 w$ j& ? p! t8 f5 fdeal. I went back to talk to Dennis and I said, I would really appreciate you… that would be good.
! s& G' a: z8 O0 j1 }4 o+ Q4 q4 sBut loyalty is a two-way street. That was god knows how many years ago, but that’s the same
' c& F# P0 n8 f- wDennis Cosgrove who’s carrying Alice forward. He’s been with me all these years. And if we only& l4 Q! L) p+ h, W3 F, x9 {
had one person to send in a space probe to meet an alien species, I’m picking Dennis. [laughter] You
% s. y5 \* W2 I& rcan’t give a talk at Carnegie Mellon without acknowledging one very special person. And that would3 ~; i G: y* y/ y& z" y" z: l
be Sharon Burks. I joked with her, I said, well look, if you’re retiring, it’s just not worth living+ H- h/ x: y8 @, |# x' w7 Q0 V
anymore. Sharon is so wonderful it’s beyond description, and for all of us who have been helped by% b1 G$ v) j6 f5 q
her, it’s just indescribable. I love this picture because it puts here together with Syl, and Syl is great
3 F c$ g, H- O3 p. C5 g+ Gbecause Syl gave the best piece of advice pound-for-pound that I have ever heard. And I think all
+ v: i, n, ^1 [% T$ z2 jyoung ladies should hear this. Syl said, it took me a long time but I’ve finally figured it out. When it
3 {: |6 ~* F7 Q" f! S7 Vcomes to men that are romantically interested in you, it’s really simple. Just ignore everything they
9 [$ {5 U- T% F% A8 l* Hsay and only pay attention to what they do. It’s that simple. It’s that easy. And I thought back to9 y% `: e8 r# Z& @' e% M
my bachelor days and I said, damn. [laughter]
( w. \- b: ]0 h5 Q4 S( ONever give up. I didn’t get into Brown University. I was on the wait list. I called them up and they
$ F1 z* |. V C q$ Geventually decided that it was getting really annoying to have me call everyday so they let me in. At
1 @5 D' ~8 m" t. WCarnegie Mellon I didn’t get into graduate school. Andy had mentored me. He said, go to graduate
3 Y, ?) |0 ^8 j/ x6 ~school, you’re going to Carnegie Mellon. All my good students go to Carnegie Mellon. Yeah, you
6 i7 I- G$ K4 F$ U) H0 p: n" i8 xknow what’s coming. And so he said, you’re going to go to Carnegie Mellon no problem. What he1 p2 z6 |5 \( E$ l! h1 Y; B
had kind of forgotten was that the difficulty of getting to the top Ph.D. program in the country had! ?2 T. Z& G7 ]
really gone up. And he also didn’t know I was going to tank my GRE’s because he believed in me.
: t3 H9 ]$ o1 x) F1 ?' EWhich, based on my board scores was a really stupid idea. And so I didn’t get into Carnegie Mellon.: z+ N5 O* E6 s' t! ^
No one knows this. ‘Til today I’m telling the story. I was declined admission to Carnegie Mellon., @. d+ g- v) O' s9 P. M2 k! l
And I was a bit of an obnoxious little kid. I went into Andy’s office and I dropped the rejection letter, ]( y* ~& D" s
on his desk. And I said, I just want you to know what your letter of recommendation goes for at' `, C$ Q! G$ m4 N3 _5 H# V
Carnegie Mellon. [laughter] And before the letter had hit his desk, his hand was on the phone and
& z8 e, l* j4 K0 e& n, |% B! Ehe said, I will fix this. [laughter] And I said, no no no, I don’t want to do it that way. That’s not the7 r' C0 U6 \9 c3 @! \5 Z U1 d
way I was raised. [In a sad voice] Maybe some other graduate schools will see fit to admit me. l+ k& o0 e+ u/ }1 T4 r
[laughter] And he said, look, Carnegie Mellon’s where you’re going to be. He said, I’ll tell you what,+ D! `2 S5 v- N. d, }
I’ll make you a deal. Go visit the other schools. Because I did get into all the other schools. He said,
* k; U% @+ B5 t; {) Z+ fgo visit the other schools and if you really don’t feel comfortable at any of them, then will you let me, C; b( b. U9 W
call Nico? Nico being Nico Habermann [the head of Carnegie Mellon’s Computer Science Dept.] and" H- {' F d5 z# b4 Z& R( W
I said, OK deal. I went to the other schools. Without naming them by name -- [in a coughing voice]; l& _ k1 O8 m) u+ ^ f* F
Berkeley, Cornell. They managed to be so unwelcoming that I found myself saying to Andy, you
8 {8 _4 L9 i1 T* r# v8 e: ~( S3 K$ eknow, I’m going to get a job. And he said, no, you’re not. And he picked up the phone and he talked: V- ]8 E( b! _! L" l9 Q, x2 l# s
in Dutch. [laughter] And he hung up the phone and he said, Nico says if you’re serious, be in his& q8 q0 J( B) m9 f
office tomorrow morning at eight a.m. And for those of you who know Nico, this is really scary. So; u$ N9 S$ P, }3 d$ W) G, G
I’m in Nico Habermann’s office the next morning at eight a.m. and he’s talking with me, and frankly I- Q- W) v2 x4 \% J2 A* R+ G
don’t think he’s that keen on this meeting. I don’t think he’s that keen at all. And he says, Randy, Z) o9 F" x7 b) X# u
why are we here? And I said, because Andy phoned you? Heh-heh. [laughter] And I said, well, since0 D6 k# j+ H1 v; L$ i
you admitted me, I have won a fellowship. The Office of Naval Research is a very prestigious0 a+ p% z3 y0 w1 a9 S& V& F3 G
fellowship. I’ve won this fellowship and that wasn’t in my file when I applied. And Nico said, a: _7 I7 [/ |0 k( u$ b
fellowship, money, we have plenty of money. That was back then. He said, we have plenty of
- o, v2 R7 u9 g7 wmoney. Why do you think having a fellowship makes any difference to us? And he looked at me.
: e+ v3 y' B( p) I) }7 hThere are moments that change your life. And ten years later if you know in retrospect it was one of
* b9 T B! {" V- ]# K# Wthose moments, you’re blessed. But to know it at the moment …. with Nico staring through your' e* n; j" z$ ~! V
P a u s c h P a g e | 21
4 W$ }6 Q% [: Y$ x' g2 hsoul. [laughter] And I said, I didn’t mean to imply anything about the money. It’s just that it was an
/ s$ z; y! ]$ w3 P7 zhonor. There were only 15 given nationwide. And I did think it was an honor that would be
4 y- f# N1 ]8 D+ Bsomething that would be meritorious. And I apologize if that was presumptuous. And he smiled.
% F }8 V! o8 p$ w0 PAnd that was good.
; t, W6 a& {9 i1 S$ F+ \So. How do you get people to help you? You can’t get there alone. People have to help you and I$ P7 Q( J! j% ?; L4 n
do believe in karma. I believe in paybacks. You get people to help you by telling the truth. Being. g- w! j, [* ?/ K
earnest. I’ll take an earnest person over a hip person every day, because hip is short term. Earnest
9 M% d( {9 i$ m& _. T9 Dis long term.; |5 n, U1 P# |
Apologize when you screw up and focus on other people, not on yourself. And I thought, how do I
0 T( Z9 l, C) x# Jpossibly make a concrete example of that? [Speaking to stage hand] Do we have a concrete+ j C4 W: K4 k6 Q2 C b4 `) d
example of focusing on somebody else over there? Could we bring it out? [Speaking to audience]
6 C. G$ P4 }& }3 QSee, yesterday was my wife’s birthday. If there was ever a time I might be entitled to have the focus
/ k7 B( N6 [1 F3 C. C$ Aon me, it might be the last lecture. But no, I feel very badly that my wife didn’t really get a proper
; |- \! K' E5 n3 B! Kbirthday, and I thought it would be very nice if 500 people— [an oversized birthday cake is wheeled
# g- i" m6 P- T i% vonto the stage] [applause] Happy—
! d6 {% q% y% u( \$ K" \% D, sEveryone:
( E3 e3 b8 P8 ?3 b. v…birthday to you [Randy: her name is Jai], happy birthday to you. Happy birthday dear Jai, happy& I% Z" X/ Q: z8 f' M
birthday to you! [applause]7 @% t( Q0 [) B1 |
[Jai walks on stage, teary-eyed. She walks with Randy to the cake. Randy: You gotta blow it out. The
$ x2 }" O+ o/ x* O$ c) F: {audience goes quiet. Jai blows out the candle on the cake. Randy: All right. Massive applause.]$ G. g$ n1 n3 [$ \/ D4 y9 ?
Randy Pausch:# `' z0 R' _, W) l3 A! e
And now you all have an extra reason to come to the reception. [laughter] Remember brick walls let
. d+ [3 N) n7 r' R6 O7 X; ?& R/ Qus show our dedication. They are there to separate us from the people who don’t really want to
6 s: l# y3 e' `7 U3 Lachieve their childhood dreams. Don’t bail. The best of the gold’s at the bottom of barrels of crap.
$ u9 c6 `# R& D/ f7 P/ l[Shows slide of Steve Seabolt next to a picture of The Sims] [laughter] What Steve didn’t tell you was" U) a+ F* Z. R
the big sabbatical at EA, I had been there for 48 hours and they loved the ETC, we were the best, we# s2 f% y# p$ z+ K; ?9 g
were the favorites, and then somebody pulled me aside and said, oh, by the way, we’re about to
, x4 f8 S& r B# bgive eight million dollars to USC to build a program just like yours. We’re hoping you can help them
6 @, x4 m( ~! Y/ i( s7 Y0 l F$ K% Pget it off the ground. [laughter] And then Steve came along and said, they said what? Oh god. And* M+ ? M. n. y7 b
to quote a famous man, I will fix this. And he did. Steve has been an incredible partner. And we
" s, ^/ }' I: l) Nhave a great relationship, personal and professional. And he has certainly been point man on
0 Y% L X1 Z1 T- }3 m5 ?getting a gaming asset to help teach millions of kids and that’s just incredible. But, you know, it* n N7 X' l' l; U
certainly would have been reasonable for me to leave 48 hours after that sabbatical, but it wouldn’t
5 L6 ~2 h$ B" ihave been the right thing to do, and when you do the right thing, good stuff has a way of happening.% }6 a& ~2 K. A8 K; l. E
Get a feedback loop and listen to it. Your feedback loop can be this dorky spreadsheet thing I did, or
# b& M7 \; ^, r- Uit can just be one great man who tells you what you need to hear. The hard part is the listening to it.
0 f; ~' o# m& t/ L4 z& {6 Q) S- XP a u s c h P a g e | 225 F0 @9 o6 ]$ n& k& g- V% u' J2 Q7 N
Anybody can get chewed out. It’s the rare person who says, oh my god, you were right. As opposed
. s' K- @7 W8 O5 d4 ~* G. ?to, no wait, the real reason is… We’ve all heard that. When people give you feedback, cherish it and' ~& P, x: R7 s1 H& j! ^! d1 N- x
use it.
) `( Y) V* n' j/ P/ \1 f3 oShow gratitude. When I got tenure I took all of my research team down to Disneyworld for a week.
% m4 N6 d9 u) c# E! Y! eAnd one of the other professors at Virginia said, how can you do that? I said these people just4 n- `- ]/ }7 O( I7 ?9 R4 Y
busted their ass and got me the best job in the world for life. How could I not do that?
! ^4 E; T) e4 h8 x4 [8 H. W& rDon’t complain. Just work harder. [shows slide of Jackie Robinson, the first black major league; t [' j2 C. Q
baseball player] That’s a picture of Jackie Robinson. It was in his contract not to complain, even
- ^+ b8 P4 n3 ~3 }when the fans spit on him.
2 D. b. o( J6 @. BBe good at something, it makes you valuable.
& h. v( \3 x) i8 @0 WWork hard. I got tenure a year early as Steve mentioned. Junior faculty members used to say to me,
7 L9 E) @4 ~) S) h& o( kwow, you got tenure early. What’s your secret? I said, it’s pretty simple. Call my any Friday night in
* h8 f$ e" C: S2 n7 lmy office at ten o’clock and I’ll tell you.
" ~6 h* y7 A& d* o; k3 sFind the best in everybody. One of the things that Jon Snoddy as I said told me, is that you might
) @8 |5 V) i& c9 H* S6 O9 \' h; Lhave to wait a long time, sometimes years, but people will show you their good side. Just keep
. b [7 c1 X' X, J. }5 T k" s$ kwaiting no matter how long it takes. No one is all evil. Everybody has a good side, just keep waiting,0 f! Y5 J( p1 y7 I, L& x) ]
it will come out.
M6 o) M; Z n# z6 mAnd be prepared. Luck is truly where preparation meets opportunity.
; p4 e/ X7 a2 x3 n2 w4 P; }" dSo today’s talk was about my childhood dreams, enabling the dreams of others, and some lessons% X' V8 D/ N4 |& D% [3 M3 y0 T8 P
learned. But did you figure out the head fake? [dramatic pause] It’s not about how to achieve your* R4 d5 ]6 \, s) S- w# k/ b* ?
dreams. It’s about how to lead your life. If you lead your life the right way, the karma will take care
. S' j( E' G: Q! D3 l6 A6 ?of itself. The dreams will come to you., X& l# G- j" r, @
Have you figured out the second head fake? The talk’s not for you, it’s for my kids. Thank you all,
2 i) H8 [0 i9 M3 t l2 hgood night.
' J1 W# r1 d) Z[applause; standing ovation for 90 seconds; Randy brings Jai onto the stage and they take a bow; they sit/ ?* a, }' v4 X% {$ [$ q
down in their seats; standing ovation continues for another minute]$ ~4 d4 d) h. i
Randy Bryant:
6 ~# S! E1 U1 A, f& N0 w% HThank you everyone. I’d like to thank all of you for coming. This really means a lot I know to Randy.
+ G* C3 h, u3 a; cHe had this theory even up to yesterday that there wouldn’t be anyone in the room.3 Q3 u& {' p5 R: S
Randy Pausch [from seat]:6 R/ H. n6 N8 x- b5 _' r
After CS50…
3 s+ Q( X0 H, z CRandy Bryant: E/ f: R) N9 Y* Q! }6 \) E. \
I know. I’m the other Randy. That’s been my role here for the past 10 years ever since Randy/ U+ O0 ?6 F6 i8 G
Pausch came here on the faculty. And what I mean by that is, I introduce myself. I’m Randy Bryant
x: @- _) H+ cfrom Computer Science. They go, oh, Randy from CS. You’re the one that does all that cool stuff of) b0 v, `* z% H6 w0 u, r
building virtual worlds and teaching children how to program. And I go, no, no, sorry. That’s the& t* ^3 Z1 S* ?1 U/ Y
other Randy. I’m the wrong one. Sorry, I’m just like a dull nerd. [laughter] So, but I’m very pleased
2 G5 c r: z7 B5 y9 Ctoday to be able to sort of run a brief series of ways in which we want to recognize Randy for his
, y7 m8 z/ d& ] H3 |/ Rcontributions he’s made to Carnegie Mellon, to computer science and to the world at large. So we. J- j _) v2 n. z( {; {/ i
have a few – it will be a brief program. We have a few people I’ll be bringing up one after the other.- x! ~7 P% M; B+ @: M
I’m sort of the MC here. So first I’d like to introduce who you’ve already met, Steve Seabolt from2 p c. F& z8 @, q! @! E; i
Electronic Arts. [applause]
: Y. U. e+ C: t# HSteve Seabolt:
% F8 ~6 v5 U1 B$ K4 bMy family wondered whether or not I would make it through the introduction. [voice starts to crack
$ R) n! _# h+ K. f" U, w1 iup] And I did that but I might not do so well now. So bear with me. As Randy mentioned, he and I,9 w# Z! G% j3 q7 d7 c& x5 ^$ [) E
Carnegie Mellon and Electronic Arts share a particular passion about nurturing young girls and trying
6 {' W' y) V: n6 B# Eto encourage young girls to stay with math and stay with science. Every geek in the world shouldn’t7 t* S) J8 Z3 \0 k S% L
be a guy. You know, it’s such a twist of fate that there’s so many people that are worried about offshoring,, p6 _2 p: I- H) N! m3 t; k, f
and at the same time companies are forced to off-shore, there are fewer and fewer. S/ t. n. @9 i7 ]) G
students entering computer science. And the number of women entering computer science just
4 C; D: V7 Z# y8 g5 }) e" skeeps dropping like a rock. There are way too few Caitlins in this world. And Caitlin, we need so
1 j' v3 ?2 e( N& Wmany more of you. And with that in mind, Electronic Arts has endowed a scholarship fund. It’s the
! P3 V. W8 q5 @$ @, CRandy Pausch endowed scholarship fund, established in 2007 by EA. In honor of Randy’s leadership: L" K+ n8 V. B3 z
and contribution to education, computer science, digital entertainment, and his commitment to
m# e0 D: \0 }, X5 Wwomen in technology. This scholarship will be awarded annually to a female undergraduate CMU
0 B5 F7 ^ ~( t: D1 pstudent who demonstrates excellence in computer science and a passion in the pursuit of a career in( b, o: a( G, t5 h% l7 J1 d
video games. Randy, we’re so honored to do this in your name. [applause]
7 b8 B7 U% C7 PRandy Bryant:
" k+ ~. [3 ~) V# c& M( Q6 yNext I’d like to introduce Jim Foley. He’s on the faculty at Georgia Tech and he’s here representing, x4 H+ `) ?5 j; Y' S) v. r
the ACM Special Interest Group in Computer Human Interaction. Jim. [applause]
) C- K# g5 h% i6 p- HJim Foley:! P3 j7 z7 B2 L W
[motions to Randy Pausch to come on stage; gives him a hug] That was for Jim. [applause] ACM, the; ]% j4 o" i0 l& o" g/ X5 @* F. C
Association for Computing Machinery is a group of about 100,000 computing professionals. One of
. j# C M; z: I( ]& F( Ytheir special areas of interest is computer human interaction. A few weeks ago, someone who’s a1 ~2 [5 u: M# G, e* v/ e7 C- B
very good friend of Randy’s wrote a citation which was endorsed by a number of people and went to
) h; }$ K* B4 q/ ^' B/ C5 ~the executive committee of SIGCHI, which on behalf of the SIGCHI membership, has authorized this
1 |9 M; L* c8 O$ Rspecial presentation. The citation was written by Ben Schneiderman and worked on then by Jenny
& g( C4 f4 A7 j8 F( T# ]+ \Preese and Ben Peterson, and endorsed by a whole bunch of your friends and now from the
- `6 g, W4 d+ A Z0 v& z5 f) V- wexecutive committee. So let me read to you the citation. Special award for professional; g* v& Z# n: ~0 e* B: w+ ?+ H
contributions. Randy Pausch’s innovative work has spanned several disciplines and has inspired both
# M" G5 a3 O6 q1 }* l0 Qmature researchers and a generation of students. His deep technical competence, choice of
* `' u4 M) ~0 l: Nimaginative projects and visionary thinking are always combined with energy and passion. We’ve- J$ F3 N5 G: [) R" W3 ]2 g
seen that. From his early work on the simple user interface toolkit to his current work on 3D Alice
, T% M4 v# j e# Hprogramming language, he has shown that innovative tool design enables broad participation in
& c$ y: E- O5 r) m% A( |+ Eprogramming, especially by women and minorities. Randy Pausch has vigorous commitment to
1 a1 v( @" h7 \2 Xengaging students at every level by compelling and intellectually rigorous projects, and his appealing
. S8 t7 k6 @0 `2 I; @3 Hlecture style for a role-model for every teacher and lecture. Yes, yes yes. [voice starts to crack up]$ W9 v' O) z& I: T
His work has helped make team project experiences and educational computing research more
: X& l( q2 Z3 \# b% ocommon and respected. As a National Science Foundation Presidential Young Investigator, a Lilly
% Y. {' _. x. t4 B9 tTeaching Foundation Teaching Fellow, co-founder of the CMU ET Center and consultant for Disney, ^: u& a* }1 M7 Q- k7 m# Z
Imagineering and EA, Randy’s done pioneering work in combining computing interface design and$ D, _0 V; I$ w" ^
emotionally rich experiences. For these and many other contributions, the ACM SIGCHI executive* @5 y/ Q3 {* t& E; R" G1 V
council is proud to present to Randy Pausch a special award for professional contributions., g) v) E% I0 X& M
[applause] [Randy comes back on stage to receive award]
2 t) I) K" {; C) D4 oRandy Bryant:, X: e$ h) z& p+ F1 O' P
Thank you, Jim. Next I’d like to introduce Jerry Cohen, the President of Carnegie Mellon University.# m! K! U" P- W1 J
[applause]
8 t. c" Y/ s4 ~' R0 gJerry Cohen:
3 \1 g3 }' b: x& gThank you other Randy. [Tries to move Randy Pausch’s bag of props to the side of the podium] You
( ]; T# M2 M+ T+ Fknow you’re traveling heavy, buddy. Many of us have been thinking about and talking about how1 J% e& M# G O9 T7 [# l
we can recognize you on this campus in a way that is lasting and fitting in terms of what you meant
9 J4 X) E7 j: `- M+ R& P& B- m: Bto this university. A lot of people are involved in this. You thought the provost wasn’t paying
/ H2 d. I2 E4 d0 pattention all those years. [laughter] Actually, one of the ways we’re going to remember you is this
1 Y) m- V; X3 s0 Q) V j$ n$50,000 bill for stuffed animals. $47,862.32 for pizza. You’ve made great contributions, Randy, we
! Y& u( x7 X, Nreally appreciate it. [laughter] One thing we could not do, regrettably, is figure out a way to capture4 E8 r: ^4 }* I, |" ]
the kind of person that you are. You’re humanity, what you’ve meant to us as a colleague, as a3 F2 G' N* \0 d% Q, i- q
teacher. As a student. And as a friend. There’s just no way to capture that. There is our memories,7 ~$ ]% R3 h) z3 f- Z \: u4 z( r
however. And there is a way to remember you every day, as people walk this campus. So we’ve
* K4 @" Y0 H- c2 K- dcome up with an idea. You’ve done great things for this campus and for computer science and for
+ x m. |& i$ Q* |. p# ithe world. Surely Alice will live on. But the one we’re going to focus on right now is what you’ve+ k9 @; A+ j+ A- l. E1 {% i
done to connect computer science with the arts. It was remarkable, it was stunning. It’s had7 d* w& c3 i9 o
enormous impact, and it will last, I daresay forever. So to recognize that, we are going to do the
7 D0 u. k' M4 ^: nfollowing. Good job, other Randy. [laughter, as Randy Bryant gets the projector to show the next
! C }' N2 y$ f cslide] In order to effect this, we had to build a building. [Shows slide of mockup of Gates building] A
1 }# ]- r! q: I9 {, V$ b# {hundred million dollar building which will allow us to do the following. You’ll note, by the way, to
# N. F9 g! c6 o oorient people. So the Purnell Center for the Arts is the home of the School of Drama. That modern
. p7 E2 z0 m; C# Elooking new thing, half of which has a green roof, is the new Gates Center for Computer Science.( x! e0 k" M4 F& p- }
And we had long planned to connect these two physically, both to allow people to get down from/ P. ~# [' G4 S } x
the cut to lower campus, and you have to admit it carries tremendous symbolic importance. Well
+ c) d4 F+ f" M$ a+ \on behalf of the Board of Trustees of Carnegie Mellon and on behalf of the entire university, I’m
! ?9 \+ U7 p/ h2 Fpleased to announce today that the bridge connecting these two will be known as the Randy Pausch3 X8 H, C% m- `
Memorial Footbridge. [shows slide of mockup of bridge] [applause] Now actually based on your talk
+ ^% @/ B8 D7 Q4 ?7 Jtoday we’re thinking now about putting up a brick wall up at either end, and let students see what
, Y1 g' N3 H: W. d, Cthey can do with it. [laughter] Randy, there’ll be a generation of students and faculty to come here
% ^7 G" X7 e# b9 r6 B" `9 v owho will not know you, but they will cross that bridge, they will see your name, and they’ll ask those, I* D( R- @# d: |, x4 ~( @, G
of us who did know you. And we will tell them that unfortunately they were not able to experience
; q8 M' \0 L9 w u! f! tthe man, but they are surely experiencing the impact of the man. Randy, thank you for all that
* N% L9 A# A' D8 Qyou’ve done for Carnegie Mellon. We’re going to miss you. [applause] [Randy walks on stage and
) V% q" N) [8 g+ c5 f+ Kgives Jerry a hug]
, V, Q" [; Y$ | N8 b* {# oRandy Bryant:8 P R* W; _, T: |
So every good show needs a closing act, and so to do that I’ll invite Andy Van Dam. [applause]5 z4 I# p" q- X+ `% g
Andy Van Dam:2 O, D. ~( C5 r7 ^* q
Oh how I love having the last word. [applause] But to have to go on after that fabulous show, I don’t% f% x# u3 c5 e+ C# T8 w
know whether that was good planning. Well I started in Brown in 1965 and it has been my pleasure9 R9 \$ Q$ d/ Z
and great joy not just to teach thousands of undergraduates and some graduates, but also to work4 q* w+ c* [2 X$ W( H& ~8 s
one-on-one with a couple hundred of them. And over 35 have followed me into teaching I’m proud. v/ d, I! C/ Y ~4 j
to say. Out of those best and brightest it was very clear that Randy would stand out. He showed8 J; g3 S% P, y4 R
great promise early on and a passion about our field and about helping others that you’ve seen: `! b. m( E; T1 B4 U
amply demonstrated today. It was matched by fierce determination and by persistence in the face7 h0 }) A4 s* z* J: I/ M: V. M* S
of all brick wall odds. And you’ve heard a lot about that and seen that demonstrated as he fights
' \3 _/ ^, {7 L; @7 Tthis terrible disease. Like the elephant’s child, however, he was filled with satiable curiosity, you) v: \6 o: F5 Z" g
remember that. And what happened to the elephant’s child, he got spanked by all of his relations,. `; K, k( r% U0 v; a: @
and you’ve heard some of that. He was brash, he had an irrepressible, raucous sense of humor,# g" s1 Z+ q/ h/ ^- L4 r' I
which led to the fantastic showmanship that you saw today. He was self-assured, occasionally to
7 n$ W5 d) o9 ?the point of outright cockiness. And stubborn as a mule. And I’m a Dutchman and I know from, u4 R4 M, ?2 [
stubbornness. The kind way to say it is he had an exceedingly strong inner compass, and you’ve
- L+ g% @( Q" _5 gseen that demonstrated over and over again. Now, having been accused of many such traits myself,( ^8 e& }* D3 Y' o* ^+ n
I rather thought of them as features, not bugs. [laughter] Having had to learn English the hard way, I. @2 ]: c9 @( @2 @% M3 ^
was a fanatic about getting students to speak and write correct English from the get-go. And Randy
! ^7 S7 g0 [5 y0 {, I fthe mouth had no problem with that. But he did have one problem. And I’m having a problem with4 W: x G w2 m/ `; E" J: C
my machine here, here we go. [gets slide to project on screen]. And that was another part of my3 p" b5 v) e! v" @& k1 r" _
fanaticism which dealt with having American students learn about foreign cultures. And specifically0 ]1 R( B7 E" F- `& m: ^. N& z
about food cultures, and more specifically yet, about Chinese food culture. So I would take my
" Y% B" d7 ^9 _" g. x' Xstudents to this wonderful Chinese restaurant where they cooked off the menu using a Chinese
9 F7 Z9 w. u, L( }) Zmenu. And I tried to get Randy to sample this. But would Mr. White Bread touch that stuff?
/ X8 L8 p; }) S" k. H3 u[laughter] Absolutely not. And worse, he refused to learn to eat with chopsticks. I was chairman at
8 n3 W: V- U# }+ |3 q. h) cthe time and I said, Randy, you know, I’m not going to let you graduate if you don’t learn to eat with& \) q1 \0 ~% l$ ?) z( Z7 V% O R
chopsticks! [laughter] It’s a requirement, didn’t you see that? He of course didn’t believe that. And& v$ b/ ?' H L+ A% ^5 l
so it came time for graduation and I handed him his diploma. And this was the picture one of my4 Z# o9 g3 n) Q+ x# Y* s- o4 r
friends took. [Shows slide of Brown University commencement, 1982, Randy dressed in his cap and2 n, V# ]7 J4 Z" b3 ~# j
gown, opening his diploma, his mouth wide open in surprise] And what you see is Randy opening his
' B5 f% w# Y$ g! J9 ediploma to show it to his parents, and there was an autographed copy of the menu in Chinese and
1 |1 |9 C4 ~" ~- e% ^no diploma. [laughter, applause] It was one of the few times I got the better of him, I have to
! V# [) g! N' E8 n1 oconfess. Well here we are today, all of us, and hundreds and hundreds of people all over the% W8 I0 h& K! F, Q- t& s
country, I dare say all over the world, participating in this great event to celebrate you and your life.
9 C" G4 J- N! w6 `* gRandy is the person, the Mensch, as we say in Yiddish. Your manifold accomplishments as a model
. S. q y! ~4 ]3 ]4 m/ pacademic, especially as a mentor to your students. Your Disneyland expeditions not only were
2 N- W7 I# u3 b3 ]( U6 z$ e7 X: cunique but they are legendary. You have more than fulfilled the terms of Brown University Charter,
+ d: k9 W& _6 [0 p! mwhich are: to discharge the offices of life with usefulness and reputation. Your utter devotion to: y. e2 E* Q/ |9 B* K. N7 g
your family and your career are exemplary, and continue unabated as you cope with the immensity
$ U2 t( m2 C, ^- H9 |3 \$ ^7 tof your situation. You exemplify undaunted courage and grace under pressure. The most terrible3 F- i, r& B3 M9 i
pressure one can imagine. Randy, you have been and you will continue to be a role model for us.
7 W. F* X6 T$ m/ k* _[Voice starts cracking up] Thank you so much for all you have done for us. And to allow us to tell
% v3 v' W$ l+ Zyou privately and in such a public way how much we admire, honor, and indeed love you. [applause]
0 G7 H/ P k! @. b[standing ovation]& U; ]! i' J" d- n" b3 Y0 Q
8 Q4 j$ g: C0 L. }
[ 本帖最后由 billzhao 于 2008-11-16 18:02 编辑 ] |
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