My last day without you

billzhao

, T$ U; ~5 C' ^' L% J6 mI saw this movie last night from Netflix. This is a romantic movie, which is sweet to see. I like the title of the movie: My last day without you. If you love somebody, you surely want to spend all your time with him or her. Your heart hurts when you miss her, and you wish that this is the last day without her. Am I right? The following is about the movie.
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On a one-day business trip to New York, a German business executive falls in love with a singer-songwriter who exposes him to her Brooklyn world and emotions he's never experienced before.

This is a movie that would’ve surely passed me by had I not been an admirer of Nicole Beharie’s acting; but the film is full of delightful surprises.
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" B4 b) l6 x! W: kWhat you might think will be yet another interracial romantic farce, turns out to be the least of the couple’s barriers. Yes, they have cultural differences, which play out mostly through misunderstood terms. For example, Leticia (Beharie), called “Tisha” throughout, had to explain what “getting with you” meant to Niklas (Duken). There are few moments like this that creep up when you least expect them to, but positively so.

' z& T6 ^& O9 o, y1 D3 AThe couple meets so abruptly and no time is wasted honing in on the fact that their sexual attraction is a huge magnet. There are no forced moments of falling in love. It’s mostly Niklas’ goal to make amends that brings out the sincere emotional attraction from them both. This is where the story could go cliché, but continues to linger in a familiar way… how many people fight the instinct towards emotional healing, but brush it off as something else?

" U, I, }  J; m' t, N) xIn fact the story ends sharply ambiguous. Yes, the right choice is made, but will the couple chance for a lifetime or just an extended moment? We’ll only assume… it’s a timeless chance.
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7 O' B% u5 Z! s$ i+ gA parallel love subplot between Tisha’s father, Pastor Johnson and his secretary, Luz, further sustains the theme of love that gels. Their interaction is just as fun and intriguing as Niklas and Leticia, but there’s a clear juxtaposition between the cautious younger couple and the mature acceptance of love from the older couple.
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The backdrop and driving force of the film involves job loss, but it’s not such a crutch that interferes with the impending outcomes that follow the 24 hour lifespan of its main characters.

The chemistry between the leads (Ken Duken and Nicole Beharie) fit like a glove with an equally deserved mention to Laith Nakli as a hired romantic guru cab driver and declared comic relief.