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This was in a Vistek ad…some cool tips you may want to use.! {- N/ s3 M; @
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Digital Black and White
6 n2 z2 y: G9 S) N& @Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
7 K% w* h+ f' b* y1 ?! W* S9 |8 p M# mUse the shadow and highlights tool in a RAW software program to
) Z/ h6 h2 n' O( N; ], S# qrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White+ [: K% P) R: }
methods provided by RAW and you'll have a correctly exposed black
8 d' ?6 X7 @& R7 R0 a, Wand white image.6 }6 d6 F" c" _: n, p2 ^. h% r
7 J; f n7 e) SWhite Balance% B$ E8 d. h% X( v- ^6 O
If in need of a quick white balance tool, you can use a standard
$ d8 V$ E% P( E/ P$ \) uwhite coffee filter. Use the custom camera white balance while aiming1 d* T( l7 }1 Z; [
the coffee filter and lens to the opposite of the light source to get white
5 w4 p& g, l8 a2 a9 Nbalance. I always keep coffee filters in my camera bag for0 P0 p, q5 {9 R k0 \+ S" a) J
such occasions.7 a: S0 s6 F% I5 _
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Pseudo ISO Boost8 u8 N2 R1 F5 K& M7 A
If you’re shooting in the dark at a concert venue and need more s$ ^! _7 R t
ISO boost from your camera and faster shutter speeds - choose [ ?. O" I% j
the highest ISO setting on your camera and underexpose your image
P$ A1 g' E& a! Pby one stop. Then you can use a RAW processor to overexpose the8 q$ j8 \. T( {9 r" V5 t
image by one or two stops. Image noise may be higher but this; v, D! M1 ~: |- b' o
works very well for concert, venue and event shooting. |
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