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This was in a Vistek ad…some cool tips you may want to use.2 E5 O& d u! F2 X% I2 Z: s
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Digital Black and White
/ W* z; |4 o4 tShoot in RAW and underexpose your image by 1/2 stop to a full stop.. N4 h: }8 g, H4 ~
Use the shadow and highlights tool in a RAW software program to
2 l. j3 Y% c: U, w8 u/ m$ Mrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
4 c; m, U0 C: E" F9 J/ u0 [methods provided by RAW and you'll have a correctly exposed black
6 D; _* W% |! o2 qand white image.' m2 L: [. n1 `$ Z
) @* F2 r- X0 Z) x( y: M# g# {" ]# uWhite Balance
5 w( {' R& X/ MIf in need of a quick white balance tool, you can use a standard& q+ D; t' k/ k, A) m
white coffee filter. Use the custom camera white balance while aiming
5 S7 g$ ?6 P6 ~1 z$ s9 s2 t4 [the coffee filter and lens to the opposite of the light source to get white. J( J( w7 J* v! O0 D
balance. I always keep coffee filters in my camera bag for
/ V3 k: V% E: b' M+ n/ w- osuch occasions.
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Pseudo ISO Boost8 T/ t( r$ ]9 I9 W, _/ m* b
If you’re shooting in the dark at a concert venue and need more5 t: L, J, W0 q5 n% \
ISO boost from your camera and faster shutter speeds - choose : o5 F7 W4 y7 A( F
the highest ISO setting on your camera and underexpose your image4 o/ I. J1 F# P5 _2 P9 p* R$ Z
by one stop. Then you can use a RAW processor to overexpose the
" U0 w: i4 z$ c+ L# Y- Wimage by one or two stops. Image noise may be higher but this; }" l: e5 K# x- z/ A) s
works very well for concert, venue and event shooting. |
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