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This was in a Vistek ad…some cool tips you may want to use.
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8 m; Q# R0 S3 L3 I1 \1 PDigital Black and White
5 H3 r, D4 A4 {/ x4 HShoot in RAW and underexpose your image by 1/2 stop to a full stop.
, E# ~0 r; @$ R# C8 O. G2 MUse the shadow and highlights tool in a RAW software program to
6 ^9 t- y. ]9 _* Q; {, K5 I* n) Crestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White% @' H6 K5 Y' M; P P8 R0 Q
methods provided by RAW and you'll have a correctly exposed black
3 X6 U; z3 A" s' yand white image.
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White Balance) ~5 O* Z- k7 E: n* U, d+ x5 S
If in need of a quick white balance tool, you can use a standard3 u' _1 B, X3 \ F3 e4 g
white coffee filter. Use the custom camera white balance while aiming
0 ?' d) ^( M0 b. K" h' l+ T3 a9 I! Bthe coffee filter and lens to the opposite of the light source to get white
, \2 F( ?" c* u, a; Cbalance. I always keep coffee filters in my camera bag for# C* N" X' N( c4 R* m' x, Z
such occasions." [9 z( w/ S" _& f) H
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Pseudo ISO Boost
: e, Z& w2 P" mIf you’re shooting in the dark at a concert venue and need more
% h! m1 `' [, v7 F* oISO boost from your camera and faster shutter speeds - choose
4 i+ T" @" l5 d R2 `the highest ISO setting on your camera and underexpose your image
: H D( p3 p2 W0 Mby one stop. Then you can use a RAW processor to overexpose the+ w* ]: q6 X, x* ?0 N/ N4 _/ s
image by one or two stops. Image noise may be higher but this' t% P0 p3 {: v9 h4 ?! [
works very well for concert, venue and event shooting. |
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