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This was in a Vistek ad…some cool tips you may want to use.- }6 A7 w& g1 C% s5 r6 Q. U4 I
0 y* m/ M+ c8 {1 R1 UDigital Black and White
) }2 @( g2 e5 b) w4 jShoot in RAW and underexpose your image by 1/2 stop to a full stop.
* j8 N. y5 |& M5 ^( ?1 \9 k6 R+ SUse the shadow and highlights tool in a RAW software program to
9 j0 h' S" ^' F$ _+ X# _restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
* f3 S( N+ c2 ?3 d# ~+ Q" F8 V- qmethods provided by RAW and you'll have a correctly exposed black5 W% \+ m+ v+ j9 r$ a
and white image.
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0 K, i" n; J/ Z0 z2 F( J7 _White Balance6 k) I( g: e0 \
If in need of a quick white balance tool, you can use a standard
W& K2 M* F6 ^' S" Y6 x# U# Awhite coffee filter. Use the custom camera white balance while aiming
2 n. o; h% T9 w- s! qthe coffee filter and lens to the opposite of the light source to get white
4 G1 K# L# |! h* Bbalance. I always keep coffee filters in my camera bag for
+ q# b2 q( z: N8 b5 s; s9 Z" y4 a, Lsuch occasions.
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. ?9 }7 W! l! Z' ^Pseudo ISO Boost9 @. J9 T1 K! w+ o) G
If you’re shooting in the dark at a concert venue and need more
& t8 [0 T8 {2 ~: T" h/ [4 iISO boost from your camera and faster shutter speeds - choose * D' b0 N# d3 y( M- s' u* s2 h/ ]' T
the highest ISO setting on your camera and underexpose your image5 L! h) K, U& t& V' X6 M& V: `
by one stop. Then you can use a RAW processor to overexpose the4 ?0 ^" N% U" ~' R
image by one or two stops. Image noise may be higher but this
/ }) D! j9 f H& Nworks very well for concert, venue and event shooting. |
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