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This was in a Vistek ad…some cool tips you may want to use.5 I5 o7 t+ N, `
8 |2 d8 P( |, v& L+ N, ^9 XDigital Black and White
5 V. C* A$ v1 s& ~! |+ i3 J1 H" l3 IShoot in RAW and underexpose your image by 1/2 stop to a full stop.4 N0 {# D8 ?" C8 G% r9 p0 }9 s
Use the shadow and highlights tool in a RAW software program to
( X; W4 x/ Y F6 ^; p) \restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
# U, t7 O& b, O. Emethods provided by RAW and you'll have a correctly exposed black' P4 V# D: i. M
and white image.- w0 d9 c- q3 b2 Z* ]
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White Balance; Y0 F O4 N) X3 i% y0 D
If in need of a quick white balance tool, you can use a standard% W. Y5 }. T2 P
white coffee filter. Use the custom camera white balance while aiming5 v) W4 M8 [+ W( E9 @
the coffee filter and lens to the opposite of the light source to get white5 S% N" b/ [- H" p" ~! u
balance. I always keep coffee filters in my camera bag for" x9 D* v, x' o: J6 T# z& b! s
such occasions.
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Pseudo ISO Boost
7 d( D1 u) z' v, J: c0 IIf you’re shooting in the dark at a concert venue and need more2 E# k% F, c0 b$ G
ISO boost from your camera and faster shutter speeds - choose
- M# ^% s2 J* d( B) e+ u% Ethe highest ISO setting on your camera and underexpose your image
, l, b4 L7 o9 K# K- E8 y M" V! N) tby one stop. Then you can use a RAW processor to overexpose the, _! u- e% m+ S4 q% P4 V& p" s
image by one or two stops. Image noise may be higher but this, ?; C: I4 H o( I0 |; J8 B$ T
works very well for concert, venue and event shooting. |
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