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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
2 E# H% n, J4 `9 r3 O! RShoot in RAW and underexpose your image by 1/2 stop to a full stop.5 c3 c/ [+ K V0 u
Use the shadow and highlights tool in a RAW software program to
: t/ n& Y. p6 E0 t% Q; i% mrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White1 i4 d5 @8 x* R8 `6 x. l
methods provided by RAW and you'll have a correctly exposed black
& a9 J; [. C C {7 n: pand white image.
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- C! u2 z# V" D5 s: Q- oWhite Balance% K) t& V6 M$ Q+ j, l
If in need of a quick white balance tool, you can use a standard) n; O/ i, r- U2 H2 }9 \6 S4 Q
white coffee filter. Use the custom camera white balance while aiming
3 v2 M; k- k0 bthe coffee filter and lens to the opposite of the light source to get white
2 J0 {+ ?6 s$ _7 f0 kbalance. I always keep coffee filters in my camera bag for& j. r5 m v+ }& g' L- E. X5 C
such occasions.; \- \% n/ R3 R4 n& J& q+ e( g
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Pseudo ISO Boost& s* X$ t% t* a8 Z) j3 E
If you’re shooting in the dark at a concert venue and need more/ c0 U4 Z$ d! @& D+ g* Q+ E% v
ISO boost from your camera and faster shutter speeds - choose ; M' @' Z2 U2 N' D
the highest ISO setting on your camera and underexpose your image" w; ~3 u6 V5 n# I
by one stop. Then you can use a RAW processor to overexpose the, n9 {2 |8 o' y/ F
image by one or two stops. Image noise may be higher but this$ D w; n8 f' J1 a+ S+ a
works very well for concert, venue and event shooting. |
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