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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White
6 O8 b" `8 t' CShoot in RAW and underexpose your image by 1/2 stop to a full stop.
, E- K4 @- h# l# N+ b3 HUse the shadow and highlights tool in a RAW software program to2 x' i4 \% ^- Q. X+ ]
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
# X6 F; [8 R3 Jmethods provided by RAW and you'll have a correctly exposed black
8 c& w+ P/ s& B3 W2 hand white image.) q& [3 `& L0 l0 \
6 f% X+ u/ X$ w) W( R% S% EWhite Balance
- {, q, P. E8 m/ q9 A# LIf in need of a quick white balance tool, you can use a standard- h# t; q# k P
white coffee filter. Use the custom camera white balance while aiming
3 `% L6 J: |3 Y( N- Ythe coffee filter and lens to the opposite of the light source to get white. R f* ^+ T$ F, B" Q( s' ~
balance. I always keep coffee filters in my camera bag for
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7 D2 A/ {8 @/ h. S6 n+ v2 [Pseudo ISO Boost& o$ Y d9 V! H1 o' ^5 o* N! @+ ~* m
If you’re shooting in the dark at a concert venue and need more9 q- A( U; ~* p* l- f2 H- K& c: Y! l2 l
ISO boost from your camera and faster shutter speeds - choose
* N7 @2 \( E9 ?! b2 @6 K+ athe highest ISO setting on your camera and underexpose your image
% a& t# q7 s8 O, Fby one stop. Then you can use a RAW processor to overexpose the
1 Z$ {9 ?+ B1 Ximage by one or two stops. Image noise may be higher but this6 T5 f; s2 j' v7 E. m
works very well for concert, venue and event shooting. |
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