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This was in a Vistek ad…some cool tips you may want to use.9 d- C3 c( K, z7 y _% J
7 a1 ]8 f: Y7 G* m' IDigital Black and White
& q; d6 v7 b/ ^! c k; `* wShoot in RAW and underexpose your image by 1/2 stop to a full stop.
' D& O/ e6 U, u/ i; l3 d: Y$ a3 g( W* VUse the shadow and highlights tool in a RAW software program to- m% r. K/ G( o3 l7 t# f
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
o, g- ~5 F& Jmethods provided by RAW and you'll have a correctly exposed black8 F) h; p4 c3 r3 o
and white image.
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2 L l; i' _# U7 C- E* ^6 _White Balance% ~2 a. a- o- F, ~" C+ y
If in need of a quick white balance tool, you can use a standard
7 p, Q( n( _! N2 C/ owhite coffee filter. Use the custom camera white balance while aiming
$ c4 P4 w3 s# w$ z( d" n) Qthe coffee filter and lens to the opposite of the light source to get white
1 l6 \: `3 U- y1 P" Tbalance. I always keep coffee filters in my camera bag for
2 u* V- K' B* R/ \" i$ csuch occasions.
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Pseudo ISO Boost$ d1 [! D' O3 }# t6 Z1 k
If you’re shooting in the dark at a concert venue and need more
5 Y; Y9 W( s# B$ P" Q! h$ m' R RISO boost from your camera and faster shutter speeds - choose
6 ~5 {: L) k t1 Cthe highest ISO setting on your camera and underexpose your image
6 G3 x, M0 j7 A' D; _8 S5 Uby one stop. Then you can use a RAW processor to overexpose the* G0 S) K/ j! X( J) `! N! L
image by one or two stops. Image noise may be higher but this
" T$ K3 N8 m3 a/ |. L1 P' r( j0 a; eworks very well for concert, venue and event shooting. |
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