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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White: L7 {2 @1 w* j, j. ]
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.
; n ?0 u- l& t! gUse the shadow and highlights tool in a RAW software program to) M' f4 e. ~9 |- x* Y. B
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White$ K; n# U3 `- M3 p9 Q2 H2 W
methods provided by RAW and you'll have a correctly exposed black0 ?9 B9 x' I) @$ ?) _
and white image.7 V" e% H% w0 u
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White Balance9 J. P9 Z2 Y6 B* R, t7 @6 B! q s
If in need of a quick white balance tool, you can use a standard
9 B% L- ~' J/ L4 l4 `1 Dwhite coffee filter. Use the custom camera white balance while aiming5 A' `1 }& @) B7 d z2 K
the coffee filter and lens to the opposite of the light source to get white F, p& l: S8 y8 C
balance. I always keep coffee filters in my camera bag for8 M+ K( r Y3 j6 S1 q
such occasions. k; x3 g' }( a* U
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Pseudo ISO Boost5 v5 z$ O7 o' r9 [% P
If you’re shooting in the dark at a concert venue and need more# q8 _5 s6 A* x6 A5 c
ISO boost from your camera and faster shutter speeds - choose ( C9 a% U; }: C. G6 Z! p9 C; ^; r8 j
the highest ISO setting on your camera and underexpose your image
2 \; H% u9 u' V9 O0 pby one stop. Then you can use a RAW processor to overexpose the
4 I: A. b- b7 f- ximage by one or two stops. Image noise may be higher but this
( o2 _. W, M0 y5 y6 \- V, v3 Jworks very well for concert, venue and event shooting. |
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