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This was in a Vistek ad…some cool tips you may want to use.
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( |# s. x8 I8 V F2 dDigital Black and White; k5 Z# Z; Y5 |) E$ q2 I" E
Shoot in RAW and underexpose your image by 1/2 stop to a full stop.+ b6 U* Y4 v' n% U! f3 @
Use the shadow and highlights tool in a RAW software program to7 g7 i3 y% Z! D% i9 v3 \
restore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White
# \. t7 @! Q% Q. fmethods provided by RAW and you'll have a correctly exposed black) U6 h/ Z8 ]) s) x" m! {
and white image.
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* e: L; s" Y8 P% y2 {- m7 M5 PWhite Balance
% G( Q, M2 ^4 e8 a, D6 wIf in need of a quick white balance tool, you can use a standard
+ z; j, |8 R; T7 w/ dwhite coffee filter. Use the custom camera white balance while aiming
# l( j4 X6 i9 D$ D. n5 ythe coffee filter and lens to the opposite of the light source to get white: y4 m2 A6 w& M8 w6 b; O
balance. I always keep coffee filters in my camera bag for
2 y0 D: F2 R" q6 \% x2 d' }such occasions.$ v! N8 R$ D& f& G. U- m" @
' m( L6 Y5 ~. M* b2 F0 gPseudo ISO Boost V: I5 r) U! _+ s
If you’re shooting in the dark at a concert venue and need more; B( l8 [/ V! f7 c: _
ISO boost from your camera and faster shutter speeds - choose ) H" X- D( ?5 @' \7 u! l
the highest ISO setting on your camera and underexpose your image
* X2 N: r2 B$ U! k5 J$ T6 |by one stop. Then you can use a RAW processor to overexpose the! R j( v3 N/ f& ?0 V
image by one or two stops. Image noise may be higher but this
0 `4 c( O9 z% T1 [+ z' Pworks very well for concert, venue and event shooting. |
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